LEADER 02927nam 2200553 450 001 9910824077603321 005 20230725040206.0 010 $a3-95489-599-4 035 $a(CKB)2670000000534368 035 $a(EBL)1640382 035 $a(SSID)ssj0001216336 035 $a(PQKBManifestationID)11697441 035 $a(PQKBTitleCode)TC0001216336 035 $a(PQKBWorkID)11191382 035 $a(PQKB)10966612 035 $a(MiAaPQ)EBC1640382 035 $a(Au-PeEL)EBL1640382 035 $a(CaPaEBR)ebr10856456 035 $a(OCoLC)871780024 035 $a(EXLCZ)992670000000534368 100 $a20140421h20102014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGalatea's emancipation $ethe transformation of the pygmalion myth in anglo-saxon literature since the 20th century /$fStefanie Eck 210 1$aHamburg, Germany :$cAnchor Academic Publishing,$d2010. 210 4$d?2014 215 $a1 online resource (44 p.) 225 1 $aCompact 300 $aDescription based upon print version of record. 311 $a3-95489-099-2 320 $aIncludes bibliographical references. 327 $aGalatea's Emancipation; Table of Contents; I Introduction; II The Genuine Pygmalion: Ovid's Version of the Myth in the Metamorphoses; III The Myth and Its Reception Until the End of the 19th Century; 1. Reception of Pygmalion Until the 19th Century: From Idolater to Artistic Genius; 2. The Victorian Reception of Pygmalion; 3. The Representation of Galatea; IV Retelling Pygmalion: New, Feminist Conceptions in the 20th and 21st Centuries; 1. Critical View on the Educator Pygmalion; 2. Pygmalion as Pervert: Angela Carter's Short Story "The Loves of Lady Purple" (1974) 327 $a3. Pygmalion Outwitted: Carol Ann Duffy's Poem "Pygmalion's Bride" (1999)4. Role-reversal: Neil LaBute's Drama The Shape of Things (2001); V Conclusion; Bibliography 330 $aThe Pygmalion myth, most famously told by Ovid in his Metamorphoses, has always fascinated artists. This fascination, due to the erotic potential of the story, resulted in an abundance of patriarchal re-narrations from the Middle Ages to the late 19th century. With the turn of the 20th century, however, the Pygmalion stories gradually changed under the influence of feminist thought and emancipation. The woman created by Pygmalion no longer remained a passive creature but began to resist her master and his male fantasies, sometimes in a subtle way, sometimes in open rebellion. The study at 410 0$aCompact. 606 $aMythology in literature$zGermany 615 0$aMythology in literature 676 $a809.915 700 $aEck$b Stefanie$01717689 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824077603321 996 $aGalatea's emancipation$94114112 997 $aUNINA