LEADER 03171nam 2200661 450 001 9910824070603321 005 20200520144314.0 010 $a988-8268-59-7 010 $a988-8268-58-9 035 $a(CKB)2670000000537694 035 $a(EBL)1644162 035 $a(SSID)ssj0001159848 035 $a(PQKBManifestationID)11793545 035 $a(PQKBTitleCode)TC0001159848 035 $a(PQKBWorkID)11120237 035 $a(PQKB)11252861 035 $a(StDuBDS)EDZ0000862401 035 $a(OCoLC)885456067 035 $a(MdBmJHUP)muse35582 035 $a(Au-PeEL)EBL1644162 035 $a(CaPaEBR)ebr10842781 035 $a(OCoLC)871781902 035 $a(MiAaPQ)EBC1644162 035 $a(EXLCZ)992670000000537694 100 $a20140312h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe happy Hsiungs $eperforming China and the struggle for modernity /$fDiana Yeh 210 1$aHong Kong, China :$cHong Kong University Press,$d2014. 210 4$d©2014 215 $a1 online resource (225 p.) 225 1 $aRAS China in Shanghai series 300 $aDescription based upon print version of record. 311 $a988-8208-17-9 320 $aIncludes bibliographical references and index. 327 $aIllustrations -- Acknowledgements -- Note on transliteration -- Prelude -- Chapter 1. Adrift in New China: learning, love and labour -- Chapter 2. 'Try something different. Something really Chinese' -- Chapter 3. 'The greatest success': the rise to global fame -- Chapter 4. China fashion and the politics of success -- Chapter 5. The kaleidoscope of China: authenticity, orientalism and discontents -- Chapter 6. The end to old Cathay? -- Chapter 7. 'Looking like an English household': performing class, family and home -- Chapter 8. Goddess, housewife, writer -- Chapter 9. Into the shadows -- Chapter 10. Global and contemporary revivals -- Afterword -- Glossary of names -- Notes -- Selected bibliography -- Index. 330 $aThe Happy Hsiungs recovers the histories of two married Chinese writers who lived and worked in Britain from the 1930's onwards. Shih-I Hsiung shot to worldwide fame with his play "Lady Precious Stream," while Dymia Hsiung was the first Chinese woman to publish a fictional autobiography in English of her life in Britain. 410 0$aRAS China in Shanghai series of China Monographs. 606 $aAutobiographical fiction$xHistory and criticism 606 $aBiography as a literary form 606 $aAmerican literature$y19th century$xHistory and criticism 606 $aAmerican literature$y20th century$xHistory and criticism 615 0$aAutobiographical fiction$xHistory and criticism. 615 0$aBiography as a literary form. 615 0$aAmerican literature$xHistory and criticism. 615 0$aAmerican literature$xHistory and criticism. 676 $a895.185109 700 $aYeh$b Diana$01717648 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824070603321 996 $aThe happy Hsiungs$94114047 997 $aUNINA LEADER 05986nam 22007455 450 001 996379039003316 005 20240402205733.0 024 7 $a10.1515/9789048551941 035 $a(CKB)5310000000017027 035 $a(DE-B1597)571774 035 $a(DE-B1597)9789048551941 035 $a(OCoLC)1224278790 035 $a(MiAaPQ)EBC30406563 035 $a(Au-PeEL)EBL30406563 035 $a(PPN)250733900 035 $a(EXLCZ)995310000000017027 100 $a20201125h20202020 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPost-cinema $eCinema in the Post-art Era /$fDominique Chateau, José Moure 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d[2020] 210 4$d©2020 215 $a1 online resource (376 p.) 225 0 $aThe Key Debates: Mutations and Appropriations in European Film Studies 311 $a90-485-5194-3 327 $tFrontmatter --$tTable of Contents --$tEditorial --$tAcknowledgments --$t1. Introduction --$tPART I A Tribute to Agnès Varda --$t2. The Incipit of Beaches of Agnès (Les plages d?Agnès) An Installation in the Form of a Self-portrait --$tPART II The End of Cinema? --$t3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 --$t4. Cinema Hangs Tough --$t5. Jean-Luc Godard?s Histoire(s) du cinéma or Cinema Surpasses Itself --$tPART III Technological Transformations --$t6. Mutation, Appropriation and Style --$t7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition ? A Dialogue --$t8. In-Flight Entertainment or the Emptying Process of Art in the Air --$tPART IV New Dispositif, New Conditions --$t9. What Kind of Art Is the Cinema of Interactions? --$t10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix?s Algorithmic Operations --$t11. Post-cinema Ecology --$tPART V Transformations in Film Form --$t12. Dwelling with Moving Images --$t13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film --$t14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge --$t15. The Zidane Film --$tPART VI Post-cinema, an Artists? Affair --$t16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 --$t17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky?s DAU --$t18. Cinématon: The Shortest Films for the Longest Film ? A Dialogue --$t19. Documentary as Contemporary Art ? A Dialogue 330 $aPost-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition. 410 4$aThe Key Debates: Mutations and Appropriations in European Film Studies 606 $aPERFORMING ARTS / Film & Video / Direction & Production$2bisacsh 610 $afilm, contemporary art, media, aesthetics, dispositif. 615 7$aPERFORMING ARTS / Film & Video / Direction & Production. 676 $a791.4301 702 $aAndrea$b Pinotti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aAndré$b Gaudreault$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aOever$b Annie van den$f1957-$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChateau$b Dominique$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aChristophe$b Génin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChristophe$b Viart$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aCéline$b Scemama$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDominique$b Chateau$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDudley$b Andrew$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aEugénie$b Zvonkine$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aFrancesco$b Casetti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJost$b Franc?ois$f1949-,$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGabriela$b Rivadeneira Crespo$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGiovanna$b Fossati$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGérard$b Courant$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJosé$b Moure$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMalte$b Hagener$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMiriam$b De Rosa$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMoure$b José$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPhilippe$b Marion$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRichard$b Conte$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aVictor$b Burgin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWang$b Bing$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996379039003316 996 $aPost-cinema$91983407 997 $aUNISA LEADER 05861nam 22007575 450 001 9910585784403321 005 20251113173823.0 010 $a9783030939755 010 $a3030939758 024 7 $a10.1007/978-3-030-93975-5 035 $a(CKB)5720000000019171 035 $a(MiAaPQ)EBC6978268 035 $a(Au-PeEL)EBL6978268 035 $a(OCoLC)1338201220 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/91314 035 $a(PPN)263901424 035 $a(Perlego)4900996 035 $a(ODN)ODN0010067974 035 $a(oapen)doab91314 035 $a(DE-He213)978-3-030-93975-5 035 $a(EXLCZ)995720000000019171 100 $a20220721d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDesigning Data Spaces $eThe Ecosystem Approach to Competitive Advantage /$fedited by Boris Otto, Michael ten Hompel, Stefan Wrobel 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2022. 215 $a1 online resource (xv, 580 pages) $cillustrations (chiefly color) 225 1 $aComputer Science Series 311 1 $a9783030939748 311 1 $a303093974X 327 $aPart I: Foundations and Context -- 1. The Evolution of Data Spaces -- 2. How to Build, Run, and Govern Data Spaces -- 3. International Data Spaces in a Nutshell -- 4. Role of Gaia-X in the European Data Space Ecosystem -- 5. Legal Aspects of IDS: Data Sovereignty?What Does It Imply? -- 6. Tokenomics: Decentralized Incentivization in the Context of Data Spaces -- Part II: Data Space Technologies -- 7. The IDS Information Model: A Semantic Vocabulary for Sovereign Data Exchange -- 8. Data Usage Control -- 9. Building Trust in Data Spaces -- 10. Blockchain Technology and International Data Spaces -- 11. Federated Data Integration in Data Spaces -- 12. Semantic Integration and Interoperability -- 13. Data Ecosystems: A New Dimension of Value Creation Using AI and Machine Learning -- 14. IDS as a Foundation for Open Data Ecosystems -- 15. Defining Platform Research Infrastructure as a Service (PRIaaS) for Future Scientific Data Infrastructure -- Part III: Use Cases and Data Ecosystems -- 16. Silicon Economy:Logistics as the Natural Data Ecosystem -- 17. Agricultural Data Space -- 18. Medical Data Spaces in Healthcare Data Ecosystems -- 19. Industrial Data Spaces -- 20. Energy Data Space -- 21. Mobility Data Space -- Part IV: Solutions and Applications -- 22. Data Sharing Spaces: The BDVA Perspective -- 23. Data Platform Solutions -- 24. FIWARE for Data Spaces -- 25. Sovereign Cloud Technologies for Scalable Data Spaces -- 26. Data Space Based on Mass Customization Model -- 27. Huawei and International Data Spaces -- International Collaboration Between Data Spaces and Carrier Networks -- 29. From Linear Supply Chains to Open Supply Ecosystems -- 30. Data Spaces: First Applications in Mobility and Industry -- 31. Competition, Security, and Transparency: Data in Connected Vehicles -- Data Space Functionality -- The Energy Data Space: The Path to a European Approach for Energy. 330 $aThis open access book provides a comprehensive view on data ecosystems and platform economics from methodical and technological foundations up to reports from practical implementations and applications in various industries. To this end, the book is structured in four parts: Part I ?Foundations and Contexts? provides a general overview about building, running, and governing data spaces and an introduction to the IDS and GAIA-X projects. Part II ?Data Space Technologies? subsequently details various implementation aspects of IDS and GAIA-X, including eg data usage control, the usage of blockchain technologies, or semantic data integration and interoperability. Next, Part III describes various ?Use Cases and Data Ecosystems? from various application areas such as agriculture, healthcare, industry, energy, and mobility. Part IV eventually offers an overview of several ?Solutions and Applications?, eg including products and experiences from companies like Google, SAP, Huawei, T-Systems,Innopay and many more. Overall, the book provides professionals in industry with an encompassing overview of the technological and economic aspects of data spaces, based on the International Data Spaces and Gaia-X initiatives. It presents implementations and business cases and gives an outlook to future developments. In doing so, it aims at proliferating the vision of a social data market economy based on data spaces which embrace trust and data sovereignty. 410 0$aComputer Science Series 606 $aApplication software 606 $aBig data 606 $aExpert systems (Computer science) 606 $aInformation storage and retrieval systems 606 $aComputer and Information Systems Applications 606 $aBig Data 606 $aKnowledge Based Systems 606 $aInformation Storage and Retrieval 615 0$aApplication software. 615 0$aBig data. 615 0$aExpert systems (Computer science). 615 0$aInformation storage and retrieval systems. 615 14$aComputer and Information Systems Applications. 615 24$aBig Data. 615 24$aKnowledge Based Systems. 615 24$aInformation Storage and Retrieval. 676 $a005.3 686 $aCOM018000$aCOM021000$aCOM025000$aCOM030000$2bisacsh 700 $aOtto$b Boris$4edt$01244458 701 $aOtto$b Boris$01244458 701 $aTen Hompel$b Michael$0473014 701 $aWrobel$b Stefan$01255129 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910585784403321 996 $aDesigning data spaces$92910229 997 $aUNINA