LEADER 03406oam 2200625I 450 001 9910823975403321 005 20240410104221.0 010 $a0-429-24763-X 010 $a1-4665-2096-5 010 $a1-281-12733-7 010 $a9786611127336 010 $a1-4200-3695-5 024 7 $a10.1201/9781420036954 035 $a(CKB)1000000000344795 035 $a(EBL)263340 035 $a(OCoLC)437168513 035 $a(SSID)ssj0000156950 035 $a(PQKBManifestationID)11149098 035 $a(PQKBTitleCode)TC0000156950 035 $a(PQKBWorkID)10130959 035 $a(PQKB)10875090 035 $a(MiAaPQ)EBC263340 035 $a(Au-PeEL)EBL263340 035 $a(CaPaEBR)ebr10193858 035 $a(CaONFJC)MIL112733 035 $a(OCoLC)173913633 035 $a(EXLCZ)991000000000344795 100 $a20180331d2001 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aForensic art and illustration /$fKaren T. Tayor 205 $a1st ed. 210 1$aBoca Raton, Fla. :$cCRC Press,$d2001. 215 $a1 online resource (608 p.) 300 $aDescription based upon print version of record. 311 $a0-8493-8118-5 320 $aIncludes bibliographical references and index. 327 $aFront cover; Preface; The Author and Contributors; Acknowledgments; Contents; PART I: FORENSIC ART: The Foundation; Chapter 1. Introduction to Forensic Art and Illustration; Chapter 2. A History of Forensic Art; Chapter 3. The Human Face; Chapter 4. Drawing the Human Face; PART II: Finding and Identifying the Living; Chapter 5. The Interview; Chapter 6. Composite Imagery; Chapter 7. Age Progression: Growth; Chapter 8. Age Progression: Aging; Chapter 9. Image Assessment and Modification; PART III: FORENSIC ART Identifying the Dead; Chapter 10. Postmortem Drawing 327 $aChapter 11. Skull Protection and Preparation for ReconstructionChapter 12. Two-Dimensional Facial Reconstruction from the Skull; Chapter 13. Three-Dimensional Facial Reconstruction on the Skull; Chapter 14. Methods of Superimposition; PART IV: FORENSIC ART: Additional Responsibilities; Chapter 15. Professional Ethics and Conduct; Chapter 16. Printing and Graphic Reproduction; Chapter 17. Dealing with the News Media; Chapter 18. The Forensic Artist in Court; Summary; Index; Back cover 330 $aAs the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, offers readers the benefit of her extensive knowledge and experience. Forensic Art and Illustration is the first book to provide complete coverage of all aspects of the field, and includes much previously unavailable information.Beginning with t 606 $aFacial reconstruction (Anthropology) 606 $aForensic anthropology 615 0$aFacial reconstruction (Anthropology) 615 0$aForensic anthropology. 676 $a363.25 700 $aTaylor$b Karen T.$01706385 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910823975403321 996 $aForensic art and illustration$94093753 997 $aUNINA