LEADER 04092oam 2200469 450 001 9910823934303321 005 20230126222853.0 010 $a1-84888-532-6 024 7 $a10.1163/9781848885325 035 $a(CKB)4920000000126684 035 $z(OCoLC)1110057464 035 $a(nllekb)BRILL9781848885325 035 $a(MiAaPQ)EBC6481844 035 $a(EXLCZ)994920000000126684 100 $a20210710d2016 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aInhabiting the meta visual $econtemporary performance themes /$fedited by Helene Gee Markstein and Arthur Maria Steijn 210 1$aOxford, United Kingdom :$cInter-Disciplinary Press,$d[2016] 210 4$d©2016 215 $a1 online resource 311 $a90-04-37492-2 320 $aIncludes bibliographical references. 327 $aPreliminary Material /$rHelene Gee Markstein and Arthur Maria Steijn -- In Pursuit of the Social in Site-Specific Performance /$rArtemis Sierra -- The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine /$rRoanna Mitchell and Krysta Dennis -- The Theatricality of the Human Body in Performance Art /$rPnina Porter -- Facing Things /$rAndrew Cope -- Psychical Distance as a Basis for Perception and Creative Participation /$rTereza Sluková -- Theatrical Performance in Light of Jean Paul Sartre?s Theory of the Imagination /$rMahdi Ansari -- Is that a Watermelon on Your Head or a Basket of Fruits? Orthodox Masculinity in Sports and the Paradoxical Erotic Experience of the Roughriders Male Fans? Drag Expressions /$rJorge Sandoval -- Live from New York: Movement Performance and the Representation of American Heteronormativity /$rColleen Culley -- American Showgirl: Ziegfeld to J Lo /$rVirginia L. Vogel -- Reduction as a Means to Enhance Choreographic Potential in Musical Performance /$rFalk Hübner -- Songs for an Injured Environment: Creating Visual Metaphors From a Theatre of Nature /$rLisa Parkins -- Symbolic Use of Dress: Related Ritual in English and Spanish Oral Traditions /$rAna Belén Martínez García -- Utzon?s Use of Light to Influence the Audience?s Perception of the Sydney Opera House /$rSimon Dwyer -- iPad Svoboda: The Physical Theatre of Projected Light /$rAndy Hurst and Judita Vivas -- Experimental Music Theatre and Its Investigation: Dieter Schnebel?s Körper-Sprache /$rChrista Brüstle -- Set the Machine into Motion: On Hotel Pro Forma?s Performance Laughter in the Dark /$rMaria Carneiro -- A Live-Time Relation: Motion Graphics Meets Classical Music /$rArthur Maria Steijn. 330 $aTheatre and the many varied expressions of performance practice in live and mediated performance forms, are by their nature inter-disciplinary. The goal of this volume is to develop discussion with a focus on the visual aspects of performance brought up by artists and researchers in various performance disciplines and practices. The volume facilitates inter-personal communication and the exchange of global perspectives, to engage a community in meaningful dialogue. Scenography describes the discipline of performing arts, which include all elements of theatrical presentation. As a definition here it is useful for this volume, because it outlines the understanding of scenographic practice as a combination of numerous theatre-practices that collaborate and include: architecture, lighting, costume, make-up, sound, settings and stage properties, movement, as well as audience participation. 606 $aExperimental theater$xHistory 606 $aPerforming arts$xSocial aspects 615 0$aExperimental theater$xHistory. 615 0$aPerforming arts$xSocial aspects. 676 $a792.0223 702 $aMarkstein$b Helene Gee$f1947- 702 $aSteijn$b Arthur Maria 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 906 $aBOOK 912 $a9910823934303321 996 $aInhabiting the meta visual$94118418 997 $aUNINA