LEADER 02162nam 2200457 450 001 9910823878003321 005 20230721043759.0 010 $a2-39009-002-8 035 $a(CKB)3790000000019333 035 $a(EBL)2118714 035 $a(MiAaPQ)EBC2118714 035 $a(Au-PeEL)EBL2118714 035 $a(OCoLC)915311763 035 $a(EXLCZ)993790000000019333 100 $a20200124d2007 uy 0 101 0 $afre 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aLes + grands psychopathes /$fJohn Marlowe ; traduit de l'anglais par Sarah Boux ; sous la direction d'Eric Timmermans 210 1$aBruxelles ;$aParis :$cJLC,$d[2007] 210 4$dİ2007 215 $a1 online resource (329 p.) 300 $aDescription based upon print version of record. 311 $a2-87462-070-X 327 $aCouverture; Page de titre; Introduction; Pages sanglantes de l'Histoire; Cauchemars victoriens; Un nouveau sie?cle de violences; Les meurtriers sexuels; La monte?e en puissance des tueurs en se?rie; Tueurs de masse et tueurs a? la chai?ne; Copyright 330 $a De?couvrez les plus ce?le?bres psychopathes de l'histoire...Carl Panzram fut victime de viol collectif a? l'a?ge de 14 ans. Pour se venger, il viola a? son tour un bon millier de jeunes garc?ons et d'hommes adultes, et commit plus de vingt meurtres.Ed Kemper tua sa grand-me?re d'une balle dans la te?te et de deux dans le dos. Il ne s'arre?ta pas en si bon chemin, il assassina aussi son grand-pe?re, sa me?re, son fre?re et six auto-stoppeuses.Jerry Brudos e?trangla Jan Whitney chez lui et, non content, se reput, pendant plusieurs jours, du spectacle du corps de la jeune fille pendu au plafond.Pietro Paccian 606 $aPsychopaths 615 0$aPsychopaths. 676 $a616.8582 700 $aMarlowe$b John$0671628 702 $aBoux$b Sarah 702 $aTimmermans$b Eric 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823878003321 996 $aLes + grands psychopathes$93993907 997 $aUNINA LEADER 02208nam 2200457z- 450 001 9910566442703321 005 20220512 035 $a(CKB)5850000000023420 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/81491 035 $a(oapen)doab81491 035 $a(EXLCZ)995850000000023420 100 $a20202205d2022 |y 0 101 0 $aita 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aIl saccheggio nazista dell'arte europea$eUno Sguardo Comparatistico sul Contenzioso Transnazionale nei Restitution Cases 210 $aMilan$cFrancoAngeli$d2022 215 $a1 online resource (172 p.) 311 08$a88-351-3282-7 330 $aThroughout World War II, it is estimated that up to 20% of all of Europe's art became the object of numerous forms of looting by the Nazi regime. Despite the Allies' significant efforts to recover and return such artworks, the repercussions of this unprecedented plunder can still be observed to this day; at the turn of the millennium, a renewed interest in the tragic fate of the looted art that was never recovered pervaded the Western world, leading to a new wave of restitutions that does not appear bound to come to a halt anytime soon. This volume highlights the fundamental differences that have characterized the evolution of this process in Europe and in the Unites States, by retracing some landmark cases and the way they have impacted the discussion around restitution. 517 $aIl saccheggio nazista dell'arte europea 517 $aSaccheggio nazista dell'arte europea 606 $aInternational law$2bicssc 606 $aRestitution$2bicssc 606 $aSecond World War$2bicssc 610 $aComparative law 610 $aCultural property 610 $aHolocaust 610 $aInternational law 610 $aNazi looted art 610 $aRestitution 615 7$aInternational law 615 7$aRestitution 615 7$aSecond World War 700 $aSolaro$b Livia$4auth$01280093 906 $aBOOK 912 $a9910566442703321 996 $aIl saccheggio nazista dell'arte europea$93016554 997 $aUNINA