LEADER 03926nam 2200457z- 450 001 9910345963503321 005 20231214133249.0 035 $a(CKB)4920000000094079 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/47141 035 $a(EXLCZ)994920000000094079 100 $a20202102d2018 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aThe Evolution of Rhythm Cognition: Timing in Music and Speech 210 $cFrontiers Media SA$d2018 215 $a1 electronic resource (391 p.) 225 1 $aFrontiers Research Topics 311 $a2-88945-500-9 330 $aHuman speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes? long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of ?rhythmicity? as an evolved behavior. 517 $aEvolution of Rhythm Cognition 610 $amusic 610 $aevolution of speech and language 610 $aspeech 610 $ameter 610 $ainterval timing 610 $aevolution of cognition 610 $abeat perception 610 $arhythm 610 $atime perception 610 $asynchrony 610 $amovement 700 $aHenkjan Honing$4auth$01324441 702 $aAndrea Ravignani$4auth 702 $aSonja A. Kotz$4auth 906 $aBOOK 912 $a9910345963503321 996 $aThe Evolution of Rhythm Cognition: Timing in Music and Speech$93036167 997 $aUNINA LEADER 05055nam 22006254a 450 001 9910823844003321 005 20230124182610.0 010 $a94-012-0375-X 010 $a1-4294-8058-0 024 7 $a10.1163/9789401203753 035 $a(CKB)1000000000475282 035 $a(EBL)556751 035 $a(OCoLC)166131345 035 $a(SSID)ssj0000147821 035 $a(PQKBManifestationID)12010262 035 $a(PQKBTitleCode)TC0000147821 035 $a(PQKBWorkID)10014143 035 $a(PQKB)11604168 035 $a(MiAaPQ)EBC556751 035 $a(OCoLC)166131345$z(OCoLC)170958054$z(OCoLC)647915126$z(OCoLC)714567392$z(OCoLC)764536543$z(OCoLC)768693693$z(OCoLC)816988586 035 $a(nllekb)BRILL9789401203753 035 $a(Au-PeEL)EBL556751 035 $a(CaPaEBR)ebr10380530 035 $a(EXLCZ)991000000000475282 100 $a20070406d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe enlightened eye$b[electronic resource] $eGoethe and visual culture /$fedited by Evelyn K. Moore and Patricia Anne Simpson 210 $aAmsterdam ;$aNew York, NY $cRodopi$d2007 215 $a1 online resource (325 p.) 225 1 $aAmsterdamer Beitra?ge zur neueren Germanistik ;$v62 300 $aBased on a session organized for the German Studies Association Conference held in New Orleans in 2003. 311 $a90-420-2124-1 320 $aIncludes bibliographical references and index. 327 $tPreliminary material /$rEditors The Enlightened Eye -- $tThe Enlightened Eye: Visual Culture in the Age of Goethe /$rPatricia Anne Simpson and Evelyn K. Moore -- $tAngelika Kauffmann, Goethe, and the Arcadian Academy in Rome /$rMelissa Dabakis -- $tSweetmeats for the Eye: Porcelain Miniatures in Classical Weimar /$rCatriona MacLeod -- $tGoethe, Runge, Friedrich: On Painting /$rBeate Allert -- $tThe Gendered Eye of the Beholder: The Co-ed Art History of the Jena Romantics /$rMargaretmary Daley -- $tElise in Weimar: ?Actress-Writers? and the Resistance to Classicism /$rMary Helen Dupree -- $tVisions of the Nation: Goethe, Karl Friedrich Schinkel, and Ernst Moritz Arndt /$rPatricia Anne Simpson -- $tGoethe and Lavater: A Specular Friendship /$rEvelyn K. Moore -- $tTowards an Aesthetics of the Sublime Augenblick: Reading Karl Philipp Moritz Reading Goethe?s Die Leiden des jungen Werthers /$rElliott Schreiber -- $tFugitive Images and Visual Memory in Goethe?s Discourse on Color /$rClark S. Muenzer -- $tThe Technological Eye: Theater Lighting and Guckkasten in Michaelis and Goethe /$rEric Hadley Denton -- $tThe Subjective Eye: Goethe?s Farbenlehre and Faust /$rAstrida Orle Tantillo -- $tPoetically Visualizing Urgestalten. The Union of Nature, Art, and the Love of a Woman in Goethe?s ?Die Metamorphose der Pflanzen? /$rHeide Crawford -- $tScribbles from Italy: Cy Twombly?s Experiment in Seeing Goethe See Language /$rRichard Block -- $tNotes on the Contributors /$rEditors The Enlightened Eye -- $tIndex /$rEditors The Enlightened Eye. 330 $aPoets, painters, philosophers, and scientists alike debated new ways of thinking about visual culture in the ?long eighteenth century?. The essays in The Enlightened Eye: Goethe and Visual Culture demonstrate the extent to which Goethe advanced this discourse in virtually all disciplines. The concept of visuality becomes a constitutive moment in a productive relationship between the verbal and visual arts with far-reaching implications for the formation of bourgeois identity, pedagogy, and culture. From a variety of theoretical perspectives, the contributors to this volume examine the interconnections between aesthetic and scientific fields of inquiry involved in Goethe?s visual identity. By locating Goethe?s position in the examination of visual culture, both established and emerging scholars analyze the degree to which visual aesthetics determined the cultural production of both the German-speaking world and the broader European context. The contributions analyze the production, presentation, and consumption of visual culture defined broadly as painting, sculpture, theater, and scientific practice. The Enlightened Eye promises to invest new energy and insight into the discussion among literary scholars, art historians, and cultural theorists about many aspects of visual culture in the Age of Goethe. 410 0$aAmsterdamer Beitra?ge zur neueren Germanistik ;$v62. 606 $aArts, German$y18th century$vCongresses 606 $aArts, German$y19th century$vCongresses 615 0$aArts, German 615 0$aArts, German 676 $a701.17 701 $aMoore$b Evelyn K$0257688 701 $aSimpson$b Patricia Anne$f1958-$01615183 712 02$aGerman Studies Association.$bConference$f(2003 :$eNew Orleans, La.) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823844003321 996 $aThe enlightened eye$93968210 997 $aUNINA LEADER 04135oam 2200697I 450 001 9910818623503321 005 20240516191220.0 010 $a1-317-15631-5 010 $a1-315-57534-5 010 $a1-317-15630-7 010 $a1-280-87693-X 010 $a9786613718242 010 $a1-4094-3872-4 024 7 $a10.4324/9781315575346 035 $a(CKB)2550000000107177 035 $a(EBL)956300 035 $a(OCoLC)798536271 035 $a(SSID)ssj0000736945 035 $a(PQKBManifestationID)12316712 035 $a(PQKBTitleCode)TC0000736945 035 $a(PQKBWorkID)10783324 035 $a(PQKB)11404254 035 $a(Au-PeEL)EBL956300 035 $a(CaPaEBR)ebr10576210 035 $a(CaONFJC)MIL922760 035 $a(Au-PeEL)EBL5294043 035 $a(CaONFJC)MIL371824 035 $a(MiAaPQ)EBC956300 035 $a(MiAaPQ)EBC5294043 035 $a(OCoLC)952728211 035 $a(EXLCZ)992550000000107177 100 $a20180706e20162012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCultural policy, work and identity $ethe creation, renewal and negotiation of professional subjectivities /$fedited by Jonathan Paquette 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (235 p.) 300 $a"First published 2012 by Ashgate Publishing"--t.p. verso. 311 $a1-4094-3871-6 320 $aIncludes bibliographical references and index. 327 $aTheories of professional identity : bringing cultural policy in perspective / Jonathan Paquette -- Cultural policy and the promotion of World War I heritage sites in France : emerging professions and hybrid practices / Anne Hertzog -- Cultural democracy and the creation of new professional subjectivities : the case of cultural mediation / Jonathan Paquette -- Technology, cultural policy and the public service broadcasting tradition : professional practices at BBC news in the social media era / Vale?rie Be?lair-Gagnon -- Curators and the state, a question of interdependencies : the case of France / Fre?de?ric Poulard -- Policy rationale and agency : the notion of civil society organizations in Swedish cultural policy / Tobias Harding -- Museum volunteers : between precarious labour and democratic knowledge community / Susan Ashley -- The transcendental fan : navigating the producer-consumer dichotomy and cultural policy in the digital age / Devin Beauregard -- American cultural policy and the rise of arts management program : the invention of a new professional subjectivity / Eleonora Redaelli -- Becoming a cultural entrepreneur : creative industries, culture-led regeneration and identity work / Jennifer Hinves -- Cultural policy and agency in a cultural minority context : artistic creation and cultural management in northern Ontario / Aure?lie Lacassagne -- Being part of the "supercreative core" : artists and the experience of local policy in the creative era / Caroline Agnew. 330 $aHow have cultural policies created new occupations and shaped professions? This book explores an often unacknowledged dimension of cultural policy analysis: the professional identity of cultural agents. It analyses the relationship between cultural policy, identity and professionalism and draws from a variety of cultural policies around the world to provide insights on the identity construction processes that are at play in cultural institutions. This book reappraises the important question of professional identities in cultural policy studies, museum studies and heritage studies. 606 $aCultural policy 606 $aIdentity (Psychology) 606 $aProfessional employees 615 0$aCultural policy. 615 0$aIdentity (Psychology) 615 0$aProfessional employees. 676 $a155.2 701 $aPaquette$b Jonathan$0993635 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818623503321 996 $aCultural policy, work and identity$94044249 997 $aUNINA