LEADER 04107nam 2200673Ia 450 001 9910823728603321 005 20200520144314.0 010 $a1-282-60257-8 010 $a9786612602573 010 $a90-474-2674-6 024 7 $a10.1163/ej.9789004173279.i-396 035 $a(CKB)2670000000011810 035 $a(EBL)489331 035 $a(OCoLC)815248687 035 $a(SSID)ssj0000547244 035 $a(PQKBManifestationID)11344304 035 $a(PQKBTitleCode)TC0000547244 035 $a(PQKBWorkID)10521178 035 $a(PQKB)11610781 035 $a(MiAaPQ)EBC489331 035 $a(OCoLC)286436191 035 $a(nllekb)BRILL9789047426745 035 $a(Au-PeEL)EBL489331 035 $a(CaPaEBR)ebr10372720 035 $a(CaONFJC)MIL260257 035 $a(PPN)170426831 035 $a(EXLCZ)992670000000011810 100 $a20060313d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMuqarnas$b[electronic resource] $ean annual on the visual culture of the Islamic world$hVolume 25$iFrontiers of Islamic art and architecture: essays in celebration of Oleg Grabar's eightieth birthday /$fedited by Gulru Necipoglu, Julia Bailey 205 $a1st ed. 210 $aLeiden $cBrill$d2008 215 $a1 online resource (406 p.) 225 0 $aBrill eBook titles 2008 300 $a"Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts." 311 $a90-04-17327-7 320 $aIncludes bibliographical references. 327 $tPreliminary Materials /$rG. Necipo?lu -- $t?Barefoot And Naked?: What Did The Bedouin Of The Arab Conquests Look Like? /$rPatricia Crone -- $tThe Namesake Taboo /$rMichael Cook -- $tThe Dome Of The Rock As Palimpsest: ?Abd Al-Malik?s Grand Narrative And Sultan Süleyman?s Glosses /$rGülru Necipo?lu -- $tBetween East And West: The Wall Paintings Of Samarra And The Construction Of Abbasid Princely Culture /$rEva R. Hoffman -- $tAndalusian Roots And Abbasid Homage In The Qubbat Al-Barudiyyin In Marrakech /$rYasser Tabbaa -- $tDesign Without Representation In Medieval Egypt /$rNasser Rabbat -- $tA Brief Biography Of Abu Zayd /$rSheila S. Blair -- $tA Newly Read Inscription On The Walls Of Antalya, Turkey /$rScott Redford -- $tMarginal Ornament: Poetics, Mimesis, And Devotion In The Palace Of The Lions /$rCynthia Robinson -- $tWeaving Historical Narratives: Beirut?S Last Mamluk Monument /$rHowayda Al-Harithy -- $tThe ?Fatimid? Doors Of The Fakahani Mosque In Cairo /$rJonathan M. Bloom -- $tFrom Timur To Tivoli: Reflections On IL Giardino All?Italiana /$rLisa Golombek -- $tThe Emperor?s Grief: Two Mughal Tombs /$rAnthony Welch -- $t?The Eye Is Favored For Seeing The Writing?s Form?: On The Sensual And The Sensuous In Islamic Calligraphy /$rDavid J. Roxburgh -- $tA Book Of Kings Produced And Presented As A Treatise On Hunting /$rTülay Artan -- $tThe Soas Anv?r-I Suhayl?:The Journey Of A ?Reincarnated? Manuscript /$rMika Natif -- $tMostly Modern Miniatures: Classical Persian Painting In The Early Twentieth Century /$rMarianna Shreve Simpson. 330 $aMuqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources. 410 0$aMuqarnas$v25. 606 $aIslamic art 606 $aIslamic architecture 615 0$aIslamic art. 615 0$aIslamic architecture. 676 $a704.94897 701 $aNecipoglu$b Gulru$0865282 701 $aBailey$b Julia$f1944-$0277358 712 02$aAga Khan Program for Islamic Architecture. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823728603321 996 $aMuqarnas$94015306 997 $aUNINA