LEADER 03088nam 2200649 a 450 001 9910823724803321 005 20240405010414.0 010 $a0-8214-4304-6 035 $a(CKB)2550000000036317 035 $a(EBL)1757103 035 $a(OCoLC)680425707 035 $a(SSID)ssj0000538036 035 $a(PQKBManifestationID)11965813 035 $a(PQKBTitleCode)TC0000538036 035 $a(PQKBWorkID)10557399 035 $a(PQKB)11684177 035 $a(MiAaPQ)EBC1757103 035 $a(OCoLC)832578687 035 $a(MdBmJHUP)muse9469 035 $a(Au-PeEL)EBL1757103 035 $a(CaPaEBR)ebr10472456 035 $a(EXLCZ)992550000000036317 100 $a20080617d2008 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aIntonations$b[electronic resource] $ea social history of music and nation in Luanda, Angola, from 1945 to recent times /$fMarissa J. Moorman 205 $a1st ed. 210 $aAthens, Ohio $cOhio University Press$dc2008 215 $a1 online resource (318 p.) 225 1 $aNew African histories series 300 $aDescription based upon print version of record. 311 $a0-8214-1823-8 311 $a0-8214-1824-6 320 $aIncludes bibliographical references and index. 327 $aMusseques and urban culture -- In the days of bota fogo: culture and the early nationalist struggle, 1947-61 -- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75 -- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74 -- Radios, turntables, and vinyl: technology and the imagined community, 1961-75 -- The hiatus: music, dissent, and nation building after independence, 1975-90s. 330 $aIntonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans for 410 0$aNew African histories series. 606 $aMusic$xSocial aspects$zAngola$zLuanda (Luanda) 606 $aMusic$xPolitical aspects$zAngola 606 $aNationalism in music 607 $aAngola$xHistory$yRevolution, 1961-1975$xMusic and the revolution 607 $aAngola$xHistory$yCivil War, 1975-2002$xMusic and the war 615 0$aMusic$xSocial aspects 615 0$aMusic$xPolitical aspects 615 0$aNationalism in music. 676 $a306.4/8423096732 700 $aMoorman$b Marissa Jean$01660209 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823724803321 996 $aIntonations$94015268 997 $aUNINA