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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aScience and the Stanislavsky tradition of acting /$fJonathan Pitches
210  1$aLondon ;$aNew York :$cRoutledge,$d2006.
215   $a1 online resource (219 p.)
225 1 $aRoutledge advances in theatre and performance studies ;$v3
300   $aDescription based upon print version of record.
311   $a0-415-54403-3 
311   $a0-415-32907-8 
320   $aIncludes bibliographical references (p. [210]-219) and index.
327   $aBook Cover; Half-Title; Title; Copyright; Dedications; Contents; Illustrations; Acknowledgements; Introduction: Science and Stanislavsky-the Evolution of a Tradition; 1. A System for the World? Newtonianism in Stanislavsky's Science of Acting; 2. The Theatricality Reflex: the Place of Pavlov and Taylor in Meyerhold's Biomechanics; 3. The System, Psychology and the US: Richard Boleslavsky and Lee Strasberg; 4. A Delicate Empiricism: Romantic Science and the Michael Chekhov Technique; 5. The Laboratory as Sanctuary: the Theatre of Anatoly Vasiliev
327   $aEpilogue: Qenetic Modification and the Backbone of TraditionNotes; Bibliography; Index
330   $aProviding new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science. Rooted in practice, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management.Working from historical and archive material, as well as practical sources, Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to
410  0$aRoutledge advances in theatre and performance studies ;$v3.
606   $aMethod acting
615  0$aMethod acting.
676   $a792.02/8
700   $aPitches$b Jonathan$f1968-,$01227661
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910823603803321
996   $aScience and the Stanislavsky tradition of acting$94007050
997   $aUNINA