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101 0 $aeng
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181   $ctxt
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200 04$aThe Gershwin style$b[electronic resource] $enew looks at the music of George Gershwin /$fedited by Wayne Schneider
210   $aNew York $cOxford University Press$d1999
215   $a1 online resource (305 p.)
300   $aDescription based upon print version of record.
311   $a0-19-509020-9 
320   $aIncludes bibliographical references and index.
327   $aContents; Introduction; 1 Towards a New Reading of Gershwin; PART I: ANALYSIS AND MANUSCRIPT STUDIES; 2 ""Rotating"" Porgy and Bess; 3 Gershwin's Operetta Overtures: Medley or Composition?; 4 Nice Work: Thoughts and Observations on Gershwin's Last Songs; 5 Musings on ""Nice Gershwin Tunes,"" Form, and Harmony in the Concert Music of Gershwin; 6 Gershwin's Blue Monday (1922) and the Promise of Success; PART II: RECEPTION; 7 Rhapsody in Blue: A Study in Hollywood Hagiography; 8 Gershwin on the Cover of Rolling Stone; 9 George Gershwin and Jazz; PART III: PERFORMANCE PRACTICE
327   $a10 Tracing Gershwin's Piano Rolls11 George Gershwin's Piano Rollography; 12 What about Ira?; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
330   $aIntroduction: The Gershwin Style, Wayne Schneider. Part 1: Analysis and Manuscript Studies. Toward a New Reading of Gershwin, Charles Hamm. Rotating Porgy and Bess, Wayne D. Shirley. Gershwin's Operetta Overtures: Medley or Composition?, Wayne Schneider. Nice Work: Thoughts and Observations on Gershwin's Last Songs, Stephen E Gilbert. Some Musing's on 'Nice Gershwin Tunes': Form, and Harmony in the Concert Music of George Gershwin, Larry Starr. Part 2: Reception. Rhapsody in Blue: A Study in Hollywood Hagiography, Charlotte Greenspan. Gershwin on the Cover of Rolling Stone, Susan Richardson. G
606   $aMusic$xHistory and criticism
615  0$aMusic$xHistory and criticism.
676   $a780.92
676   $a780/.92
701   $aSchneider$b Wayne Joseph$f1950-$01648866
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906   $aBOOK
912   $a9910823593103321
996   $aThe Gershwin style$93997289
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