LEADER 02050nam 2200469 450 001 9910823525603321 005 20240131184033.0 010 $a1-4438-8242-9 035 $a(CKB)3710000000473632 035 $a(EBL)4534776 035 $a(MiAaPQ)EBC4534776 035 $a(Au-PeEL)EBL4534776 035 $a(CaPaEBR)ebr11215794 035 $a(CaONFJC)MIL830923 035 $a(OCoLC)921235435 035 $a(FINmELB)ELB148677 035 $a(EXLCZ)993710000000473632 100 $a20160621h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aGerard Manley Hopkins and his poetics of fancy /$fby Kumiko Tanabe 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (242 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-7728-X 320 $aIncludes bibliographical references and index. 330 $aThis book explores the poetics of "fancy" in the works of Gerard Manley Hopkins, a term often paired with imagination in well-known Romantic poetics. It sheds new light on this concept, which is described positively in Hopkins's poetics and later becomes the essence of his idiosyncratic concept of "inscape", as shown here. Chapter One discusses the influence of Coleridge and Ruskin on Hopkins's poetics of fancy, Hopkins's experiments in the language of inspiration produced by fancy before his conversion to Catholicism, his idea of inscape as revealed by fancy, and the relation between his fanc 606 $aChristian poetry, English$y19th century$xHistory and criticism 615 0$aChristian poetry, English$xHistory and criticism. 676 $a821.8 700 $aTanabe$b Kumiko$01593573 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823525603321 996 $aGerard Manley Hopkins and his poetics of fancy$93913771 997 $aUNINA