LEADER 04573nam 2200565 450 001 9910555242803321 005 20221206181639.0 010 $a1-118-96732-1 010 $a1-118-96733-X 010 $a1-118-96731-3 024 7 $a10.1002/9781118967317 035 $a(CKB)4330000000007761 035 $a(MiAaPQ)EBC5493043 035 $a(CaBNVSL)mat08527584 035 $a(IDAMS)0b00006488812249 035 $a(IEEE)8527584 035 $a(CaSebORM)9781118967300 035 $a(PPN)250125781 035 $a(EXLCZ)994330000000007761 100 $a20181218d2018 uy 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a2.5D printing $ebridging the gap between 2D and 3D applications /$fby Carinna Parraman, Maria Ortiz Segovia 205 $aFirst edition. 210 1$aHoboken, New Jersey :$cJohn Wiley & Sons,$d2018. 210 2$a[Piscataqay, New Jersey] :$cIEEE Xplore,$d[2018] 215 $a1 online resource (275 pages) 225 1 $aWiley-IS&T series in imaging science and technology 300 $aIncludes index. 311 $a1-118-96730-5 320 $aIncludes bibliographical references and index. 327 $aDefining the field of 2.5D printing -- The past -- The present : materials, making, capturing and measuring -- The future -- Case studies. 330 $aA guide that examines the state-of-the-art of 2.5D printing and explores the relationship between two and three dimensions 2.5D Printing: Bridging the Gap Between 2D and 3D Applications examines the relationship between two- and three-dimensional printing and explores the current ideas, methods, and applications. It provides insights into the diversity of our material culture and heritage and how this knowledge can be used to design and develop new methods for texture printing. The authors review the evolving research and interest in working towards developing methods to: capture, measure and model the surface qualities of 3D and 2D objects, represent the appearance of surface, material and textural qualities, and print or reproduce the material and textural qualities. The text reflects information on the topic from a broad range of fields, including: science, technology, art, design, conservation, perception, and computer modelling. 2.5D Printing provides a survey of traditional methods of capturing 2.5D through painting and sculpture, and how the human perception is able to judge and compare differences. This important text: . Bridges the gap between the technical and perceptual domains of 2D and 3D printing. Discusses perceptual texture, colour, illusion, and visual impact to offer a unique perspective. Explores how to print a convincing rendering of texture that integrates the synthesis of texture in fine art paintings, with digital deposition printing. Describes contemporary methods for capturing surface qualities and methods for modelling and measuring, and ways that it is currently being used. Considers the impact of 2.5D for future technologies 2.5D Printing is a hands-on guide that provides visual inspiration, comparisons between traditional and digital technologies, case studies, and a wealth of references to the world of texture printing. WILEY-IS&T SERIES IN IMAGING SCIENCE AND TECHNOLOGY IS&T, the Society for Imaging Science and Technology "imaging.org", is an international, professional society that brings together academia, industry, and government to discuss and disseminate information on the broad field of imaging, with particular emphasis on electronic imaging, 3D printing, human vision and perception, virtual and augmented reality systems, color science, image archiving and preservation, image assessment and reproduction, and automated vehicle imaging systems. A major objective of the Wiley-IS&T series is to advance this goal at the professional level by offering the latest scientific and technological developments in the field of imaging to the world-wide community. IS&T hosts a number of annual international conferences to further promote this goal. 606 $aThree-dimensional printing 606 $aTexture (Art) 615 0$aThree-dimensional printing. 615 0$aTexture (Art) 676 $a621.9/88 700 $aParraman$b Carinna$01218194 702 $aOrtiz Segovia$b Maria V. 801 0$bCaBNVSL 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910555242803321 996 $a2.5D printing$92817150 997 $aUNINA LEADER 02638nam 2200553 450 001 9910823501503321 005 20220525071020.0 010 $a3-95487-888-7 024 7 $a10.31819/9783954878888 035 $a(CKB)5120000000123953 035 $a(MiAaPQ)EBC5757692 035 $a(DE-B1597)516888 035 $a(OCoLC)1088919262 035 $a(DE-B1597)9783954878888 035 $a(MiAaPQ)EBC6273985 035 $a(Au-PeEL)EBL6273985 035 $a(OCoLC)1099975198 035 $a(OCoLC)1121503332 035 $a(FlNmELB)ELB105756 035 $a(EXLCZ)995120000000123953 100 $a20220525d2016 uy 0 101 0 $aspa 135 $aurcnu|||||||| 181 $ctxt$2rdamedia/spa 182 $cc$2rdamedia/spa 183 $2rdacarrier/spa 200 10$aNobles de papel $eidentidades oscilantes y genealogi?as borrosas en los descendientes de la realeza Inca /$fRoci?o Quispe-Agnoli 210 1$aMadrid ;$aFrankfurt am Main :$cIberoamericana :$cVervuert,$d[2016] 210 4$d©2016 215 $a1 recurso en li?nea (264 pa?ginas) $cilustraciones, mapa 225 1 $aTiempo Emulado Historia de Ame?rica y Espan?a ;$v42 300 $aIncludes index. 311 0 $a84-8489-888-1 320 $aIncluye referencias bibliogra?ficas. 327 $tFront matter --$tÍndice --$tAgradecimientos --$tPrólogo --$tIntroducción. El expediente de pretensiones de doña María Joaquina Inca en el contexto del siglo xviii --$tI. Identidades oscilantes: lugar de origen, pobreza y familia --$tII. Identidades oscilantes: calidad, nobleza de sangre y genealogías borrosas --$tIII. Nobles de papel: cédulas reales y las armas del rey --$tIV. Negociando la nobleza de sangre en el papel: blasón y retrato --$tV. Textos multivocálicos, (des)orden y decires enfrentados --$tEpílogo. 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