LEADER 04317nam 22007451 450 001 9910823495403321 005 20100122081851.0 010 $a1-4725-4902-3 010 $a1-282-31953-1 010 $a9786612319532 010 $a1-4411-1633-8 024 7 $a10.5040/9781472549020 035 $a(CKB)1000000000817111 035 $a(EBL)472781 035 $a(OCoLC)471494625 035 $a(SSID)ssj0000296377 035 $a(PQKBManifestationID)11192205 035 $a(PQKBTitleCode)TC0000296377 035 $a(PQKBWorkID)10322399 035 $a(PQKB)10333629 035 $a(SSID)ssj0001144840 035 $a(PQKBManifestationID)12478752 035 $a(PQKBTitleCode)TC0001144840 035 $a(PQKBWorkID)11116806 035 $a(PQKB)10878151 035 $a(MiAaPQ)EBC472781 035 $a(Au-PeEL)EBL472781 035 $a(CaPaEBR)ebr10343583 035 $a(CaONFJC)MIL231953 035 $a(OCoLC)893334745 035 $a(UtOrBLW)bpp09255404 035 $a(EXLCZ)991000000000817111 100 $a20140929d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFilm, Lacan and the subject of religion $ea psychoanalytic approach to religious film analysis /$fSteve Nolan 205 $a1st ed. 210 1$aLondon ;$aNew York :$cContinuum,$d2009. 215 $a1 online resource (232 p.) 300 $aDescription based upon print version of record. 311 $a1-4411-3315-1 311 $a0-8264-2760-X 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction -- An Overview -- Part 1 Current approaches to religious film analysis. 1 Phenomenological interpretations: film as sacrament ; 2 Literary interpretations: film as visual story ; 3 Anthropological interpretations: film as religion -- Part 2 Representation in liturgy and film. 4 Liturgical representation: 'others', narratives and ideological 'realities' ; 5 Cinematic representation: 'others', narratives and ideological 'realities' -- Part 3 What can film theory offer liturgy? 6 Cinematic identification: suture and narrative space ; 7 Suturing suture: joining the theory together ; 8 Suturing religious identity in the sacramental narrative By way of analysis . 330 $a"In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented 'other' which joins them into a narrative where they become participants in an ideological 'reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, Marxism and semiotics - often termed Screen theory - that attempts to understand how cinematic representation shapes spectator identity. Using translations and commentary on Lacan not originally available to Screen theorists, Nolan returns to Lacan's contribution to psychoanalytic film theory and offers a sustained application to religious practice, examining several 'priest films' and real-life case study to expose the way liturgical representation shapes religious identity. Film, Lacan and the Subject of Religion proposes an interpretive strategy by which religious film analysts can develop the kind of analysis that engages with and critiques both cultural and religious practice."--Bloomsbury Publishing. 606 $aMotion pictures$xEthical and moral aspects 606 $aMotion pictures$xPsychological aspects 606 $aMotion pictures$xReligious aspects 606 $aReligion in motion pictures 606 $2Film theory & criticism 615 0$aMotion pictures$xEthical and moral aspects. 615 0$aMotion pictures$xPsychological aspects. 615 0$aMotion pictures$xReligious aspects. 615 0$aReligion in motion pictures. 676 $a205.65 700 $aNolan$b Steve$01627954 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910823495403321 996 $aFilm, Lacan and the subject of religion$93964808 997 $aUNINA