LEADER 03569nam 22007332 450 001 9910823456503321 005 20240402064115.0 010 $a1-139-69855-9 010 $a1-139-86155-7 010 $a1-139-86067-4 010 $a1-139-86853-5 010 $a1-139-87066-1 010 $a1-139-86495-5 010 $a0-511-75850-2 010 $a1-139-86281-2 024 7 $a2027/heb32767 035 $a(CKB)3710000000086918 035 $a(EBL)1636069 035 $a(SSID)ssj0001108824 035 $a(PQKBManifestationID)12409950 035 $a(PQKBTitleCode)TC0001108824 035 $a(PQKBWorkID)11103782 035 $a(PQKB)10314930 035 $a(UkCbUP)CR9780511758508 035 $a(MiAaPQ)EBC1636069 035 $a(Au-PeEL)EBL1636069 035 $a(CaPaEBR)ebr10833815 035 $a(CaONFJC)MIL577197 035 $a(OCoLC)870951128 035 $a(dli)HEB32767 035 $a(MiU) MIU01100000000000000000388 035 $a(EXLCZ)993710000000086918 100 $a20100428d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStefan Wolpe and the avant-garde diaspora /$fBrigid Cohen$b[electronic resource] 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (xii, 328 pages) $cdigital, PDF file(s) 225 1 $aNew perspectives in music history and criticism ;$v23 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-316-64116-3 311 $a1-107-00300-8 320 $aIncludes bibliographical references and index. 327 $aWolpe's self-revelatory poetics and critical reflections, circa 1951 -- Weimar-era montage and avant-garde community -- "Amalgamated" musics and national visions in 1930s Palestine -- The mid-century poetics and politics of experimental community. 330 $aThe German-Jewish e?migre? composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus, Berlin agitprop and the kibbutz movement to bebop, Abstract Expressionism and Black Mountain College. This is the first full-length study of this often overlooked composer, launched from the standpoint of the mass migrations that have defined recent times. Drawing on over 2000 pages of unpublished documents, Cohen explores how avant-garde communities across three continents adapted to situations of extreme cultural and physical dislocation. A conjurer of unexpected cultural connections, Wolpe serves as an entry-point to the utopian art worlds of Weimar-era Germany, pacifist movements in 1930s Palestine and vibrant art and music scenes in early Cold War America. The book takes advantage of Wolpe's role as a mediator, bringing together perspectives from music scholarship, art history, comparative literature, postcolonial studies and recent theories of cosmopolitanism and diaspora. 410 0$aNew perspectives in music history and criticism ;$v23. 517 3 $aStefan Wolpe & the Avant-Garde Diaspora 606 $aMusicians$vBiography 606 $aAvant-garde (Music)$xHistory$y20th century 615 0$aMusicians 615 0$aAvant-garde (Music)$xHistory 676 $a780.92 676 $aB 700 $aCohen$b Brigid Maureen$01006103 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910823456503321 996 $aStefan Wolpe and the avant-garde diaspora$92314769 997 $aUNINA