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200 10$aMusical form, forms & formenlehre$b[electronic resource] $ethree methodological reflections /$fWilliam E. Caplin, James Hepokoski, James Webster ; edited by Pieter Berge?
205   $a1st ed.
210   $aLeuven $cLeuven University Press$d[c2009]
215   $a1 online resource (180 p.)
225 1 $aStudies in Musical Form
300   $a"The present volume arose from a symposium on Formenlehre that took place at the 6th European Music Analysis Conference (EuroMAC) in Freiburg, Germany, October 10-14, 2007"--Pref.
311   $a90-5867-822-9 
320   $aIncludes bibliographical references (p. 171-175).
327   $aPreface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Berge? -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin.
327   $aPart II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski.
327   $aPart III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Berge? -- Bibliography -- About the authors.
330   $aThe tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys
410  0$aStudies in Musical Form
606   $aMusical form
615  0$aMusical form.
676   $a781.8
700   $aCaplin$b William Earl$f1948-$0781762
701   $aHepokoski$b James A$g(James Arnold),$f1946-$0764242
701   $aWebster$b James$f1942-$0669921
701   $aBerge?$b Pieter$01141912
712 12$aEuropean Conference of Music Analysis$d(6th :$f2007 :$eFreiburg, Germany).
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906   $aBOOK
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996   $aMusical form, forms & formenlehre$94003629
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