LEADER 02027nam 2200505 a 450 001 9910823270003321 005 20240313215044.0 010 $a1-78284-021-4 035 $a(CKB)2550000001134173 035 $a(OCoLC)849920760 035 $a(CaPaEBR)ebrary10704511 035 $a(Au-PeEL)EBL1188309 035 $a(CaPaEBR)ebr10704511 035 $a(CaONFJC)MIL533882 035 $a(OCoLC)845256289 035 $a(MiAaPQ)EBC1188309 035 $a(EXLCZ)992550000001134173 100 $a20110322d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aErnest Fenollosa, the Chinese written character as a medium for poetry $ears poetica or the roots of poetic creation? /$fFlemming Olsen 205 $a1st ed. 210 $aBrighton ;$aPortland, Or. $cSussex Academic Press$dc2011 215 $a1 online resource (84 p.) 311 $a1-84519-482-9 311 $a1-306-02631-8 320 $aIncludes bibliographical references (p. [68]-71) and index. 327 $aThe man and his essay -- A new departure -- The Chinese written character as a medium for poetry -- A critique of Fenollosa's essay -- Pictograms. 330 $aFenollosa's long essay, "The Chinese Written Character as a Medium for Poetry", was a ground-breaking, if idiosyncratic, poetic criticism, as well as a significant illustration of prevalent intellectual concerns. Flemming Olsen follows Fenollosa's theorising, showing the extent to which it is indebted to, and shaped by, post-Positivist tenets. 606 $aPoetics 606 $aPoetry$xCriticism, Textual 615 0$aPoetics. 615 0$aPoetry$xCriticism, Textual. 676 $a808.1 700 $aOlsen$b Flemming$0855985 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823270003321 996 $aErnest Fenollosa, the Chinese written character as a medium for poetry$94061416 997 $aUNINA