LEADER 03897nam 2200793 a 450 001 9910823246903321 005 20200520144314.0 010 $a1-107-11614-7 010 $a1-280-15361-X 010 $a0-511-11726-4 010 $a0-511-15097-0 010 $a0-511-32478-2 010 $a0-511-48507-7 010 $a0-511-05149-2 035 $a(CKB)111056485649318 035 $a(EBL)147312 035 $a(OCoLC)437250326 035 $a(SSID)ssj0000204624 035 $a(PQKBManifestationID)11171136 035 $a(PQKBTitleCode)TC0000204624 035 $a(PQKBWorkID)10190025 035 $a(PQKB)11266873 035 $a(UkCbUP)CR9780511485077 035 $a(MiAaPQ)EBC147312 035 $a(Au-PeEL)EBL147312 035 $a(CaPaEBR)ebr2000847 035 $a(CaONFJC)MIL15361 035 $a(EXLCZ)99111056485649318 100 $a19981215d1999 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModernism, romance, and the fin de siecle $epopular fiction and British culture, 1880-1914 /$fNicholas Daly 205 $a1st ed. 210 $aNew York $cCambridge University Press$d1999 215 $a1 online resource (viii, 220 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-03292-X 311 $a0-521-64103-9 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Incorporated bodies: Dracula and professionalism -- The imperial treasure hunt: The snake's pass and the limits of romance -- 'Mummie is become merchandise': the mummy story as commodity theory -- Across the great divide: modernism, popular fiction and the primitive -- Afterword: the long goodbye. 330 $aIn Modernism, Romance and the Fin de Sie?cle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture. 606 $aEnglish fiction$y19th century$xHistory and criticism 606 $aPopular literature$zGreat Britain$xHistory and criticism 606 $aEnglish fiction$y20th century$xHistory and criticism 606 $aLiterature and anthropology$zGreat Britain$xHistory 606 $aAdventure stories, English$xHistory and criticism 606 $aGothic revival (Literature)$zGreat Britain 606 $aModernism (Literature)$zGreat Britain 606 $aCulture in literature 615 0$aEnglish fiction$xHistory and criticism. 615 0$aPopular literature$xHistory and criticism. 615 0$aEnglish fiction$xHistory and criticism. 615 0$aLiterature and anthropology$xHistory. 615 0$aAdventure stories, English$xHistory and criticism. 615 0$aGothic revival (Literature) 615 0$aModernism (Literature) 615 0$aCulture in literature. 676 $a823/.809112 700 $aDaly$b Nicholas$01708404 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823246903321 996 $aModernism, romance, and the fin de sie?cle$94097363 997 $aUNINA