LEADER 04166nam 2200637Ia 450 001 9910823242403321 005 20240814075325.0 010 $a1-282-15478-8 010 $a9786612154782 010 $a90-272-9266-3 035 $a(CKB)1000000000535026 035 $a(OCoLC)320323488 035 $a(CaPaEBR)ebrary10172325 035 $a(SSID)ssj0000179958 035 $a(PQKBManifestationID)11179356 035 $a(PQKBTitleCode)TC0000179958 035 $a(PQKBWorkID)10148986 035 $a(PQKB)10364333 035 $a(MiAaPQ)EBC622697 035 $a(Au-PeEL)EBL622697 035 $a(CaPaEBR)ebr10172325 035 $a(CaONFJC)MIL215478 035 $a(EXLCZ)991000000000535026 100 $a20061122d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInsistent images /$fedited by Elzbieta Tabakowska, Christina Ljungberg, Olga Fischer 205 $a1st ed. 210 $aAmsterdam ;$aPhiladelphia $cJ. Benjamins$d2007 215 $a1 online resource (376 p.) 225 1 $aIconicity in language and literature,$x1873-5037 ;$vv. 5 300 $aPapers from the Fifth Symposium on Iconicity in Language and Literature, organized by the Jagiellonian University in Krakow and held March 17-20, 2005. 311 $a90-272-4341-7 320 $aIncludes bibliographical references and index. 327 $aInsistent Images -- Editorial page -- Title page -- LCC data -- Table of contents -- Preface and acknowledgements -- List of contributors -- Introduction -- Part I. Iconicity and grammaticalization -- Putting grammaticalizationto the iconicity test -- Iconic thumbs, pinkies and pointers -- Part II.Iconicity and the aural -- The physical basis forphonological iconicity -- Reading aloud and Charles Dickens's aural iconic prose style -- Iconicity and the divine in the fin de sičcle poetry of W. B. Yeats -- Is lámatyáve a linguistic heresy? -- Part III. Iconicity and the visual -- The beauty of life and the variety of signs -- Forms of restricted iconicity in modern avant-garde poetry -- Eco-iconicity in the poetry and poem-groups of E. E. Cummings -- The language of film is a matrix of icons -- Liberature: A new literary genre? -- Part IV. Iconicity and conceptualization -- Meaning on the one andon the other hand -- Iconic text strategies -- 'Damn Mad' -- Part V. Iconicity and structure -- Iconicity and the grammar-lexis interface -- Iconicity in the coding of pragmatic functions -- Double negation and iconicity -- Part VI. Iconicity and multimedia / intertextuality -- Iconicity in multimedia performance -- Author index -- Subject index -- The series Iconicity in Language and Literature. 330 $aThis paper analyses the complexity of intermedial iconicity through the analysis of Laurie Anderson's piece White Lily. It reveals the media aesthetic strategies by which Anderson enacts the abstract concept of time through the iconic use of language as well as through iconicity in music, gesture and computer animation. The performer's multimodal enactment of time experience demonstrates the integration of iconic, indexical and symbolic forms of representation. The semiotic analysis of the example is based on Sebeok and Danesi's modeling systems theory and the concept of "embodied cognition" brought forth by authors like Varela, Thompson and Rosch and Lakoff and Johnson. Thus, Anderson's performance illustrates the tenets of a corporeal media theory that introduces the body as the founding medium of semiosis. 410 0$aIconicity in language and literature ;$vv. 5. 606 $aIconicity (Linguistics)$vCongresses 606 $aLinguistics 615 0$aIconicity (Linguistics) 615 0$aLinguistics. 676 $a302.21 701 $aTabakowska$b Elzbieta$00 701 $aLjungberg$b Christina$f1949-$01085868 701 $aFischer$b Olga$0164714 712 12$aSymposium on Iconicity in Language and Literature 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823242403321 996 $aInsistent images$94097323 997 $aUNINA