LEADER 06208nam 2200685 a 450 001 9910823211703321 005 20230802004405.0 010 $a3-11-027469-8 024 7 $a10.1515/9783110274691 035 $a(CKB)2550000000079472 035 $a(EBL)827352 035 $a(SSID)ssj0000580768 035 $a(PQKBManifestationID)12180449 035 $a(PQKBTitleCode)TC0000580768 035 $a(PQKBWorkID)10606653 035 $a(PQKB)11530851 035 $a(MiAaPQ)EBC827352 035 $a(DE-B1597)174526 035 $a(OCoLC)979970993 035 $a(DE-B1597)9783110274691 035 $a(Au-PeEL)EBL827352 035 $a(CaPaEBR)ebr10521676 035 $a(CaONFJC)MIL628152 035 $a(OCoLC)898769515 035 $a(EXLCZ)992550000000079472 100 $a20110912d2012 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRegarding the popular$b[electronic resource] $emodernism, the avant-garde, and high and low culture /$fedited by Sascha Bru ... [et al.] ; with the editorial assistance of Leslie A. Barnes, Gareth Farmer and Matthias Somers 210 $aBerlin ;$aBoston $cDe Gruyter$d2012 215 $a1 online resource (500 p.) 225 1 $aEuropean avant-garde and modernism studies = Etudes sur l'avant-garde et le modernisme en Europe = Studien zur Europa?ischen avantgarde und moderne ;$vv. 2 300 $aDescription based upon print version of record. 311 $a1-306-96901-8 311 $a3-11-027456-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tAbout the Series / Sur la collection / Zur Buchreihe --$tContents --$tIntroduction --$tGiven the Popular --$tTerms and Canons --$t"The Madness of the Unexpected": Duchamp's Ready mades and the Survival of "High" Art /$rPerloff, Marjorie --$tInstrument of Inspiration: High/Low Illusions in British Experimental Music and After /$rPaterson, Alexis --$tEnglish Rebels in Art Circles: The New Age in its Elitist and Populist Dimension /$rBuchowska, Dominika --$tKinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide /$rSánchez-Pardo, Esther --$tArt, Nation and Political Discourse /$rAyers, David --$tCulture en quęte de repčres /$rGenin, Christophe --$tFolklore --$tDada, Carnival and Revolution /$rLewer, Debbie --$tSpuren der Volksdichtung in der ungarischen Avantgardeliteratur --$tMusical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song /$rBuelens, Geert --$tWhat Did They Need Jazz For? Jazz Music in Polish Interwar Poetry /$r?niecikowska, Beata --$tDer junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik /$rSamson, Regina --$tThe Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination /$rWelge, Jobst --$tThe Everyday --$tSitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau /$rBlinder, Caroline --$tEveryday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou /$rAsholt, Wolfgang --$tEntre mime et possession: récits surréalistes et fictions populaires /$rRialland, Ivanne --$tThe Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar /$rSpiteri, Raymond --$t"Broken Clouds - also by Instalments": Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960's /$rVeivo, Harri --$tThe "Abakans" and the Feminist Revolution /$rJakubowska, Agata --$tA Glossier Shade of Brown: Imi Knoebel's Raum 19 /$rWilliams, Gregory H. --$tCommerce --$tSelling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde /$rHopkins, David --$tWyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers /$rBurrells, Anna --$tLe Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris /$rDario, Maria --$tBetween the Old and the New: The Surrealist Outmoded as a Radical Third Term /$rSusik, Abigail --$t"The Hidden Network of the Avant-Garde": der farbige Werbefilm als eine zentraleuropäische Erfindung? /$rOrosz, Márton --$tMedia --$tLessons from the Press: Picasso and Mass Print Media, 1911-37 /$rAngel, Sara J. --$tFilm und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) /$rKókai, Károly --$t"Produktion - Reproduktion": Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst /$rJutz, Gabriele --$tModernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) /$rRymenants, Koen / Verstraeten, Pieter --$tA Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960's and 1970's /$rHamalidi, Elena / Nikolopoulou, Maria / Walldén, Rea --$tMass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960's /$rOlsson, Jesper --$tA Tentative Embrace. Superstudio's New Media Nomads /$rElfline, Ross K. --$tIndex 330 $aRegarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called "low" culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly "high" modernists and avant-gardists looked at and represented the "low". As such, this book will appeal to all those wit 410 0$aEuropean avant-garde and modernism studies ;$vv. 2. 606 $aModernism (Art) 606 $aArts, Modern$y20th century 606 $aArt and popular culture 610 $aAvant-garde Movements. 610 $aPopular Culture. 615 0$aModernism (Art) 615 0$aArts, Modern 615 0$aArt and popular culture. 676 $a700.9/04 686 $aEC 5070$2rvk 701 $aBru$b Sascha$0801313 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823211703321 996 $aRegarding the popular$94080793 997 $aUNINA