LEADER 03866oam 2200685I 450 001 9910823178803321 005 20230725031431.0 010 $a1-136-74053-8 010 $a1-136-74054-6 010 $a1-283-15127-8 010 $a9786613151278 010 $a0-203-81906-3 024 7 $a10.4324/9780203819067 035 $a(CKB)2670000000094066 035 $a(EBL)692318 035 $a(OCoLC)730151665 035 $a(SSID)ssj0000524488 035 $a(PQKBManifestationID)11327023 035 $a(PQKBTitleCode)TC0000524488 035 $a(PQKBWorkID)10546118 035 $a(PQKB)10813107 035 $a(MiAaPQ)EBC692318 035 $a(Au-PeEL)EBL692318 035 $a(CaPaEBR)ebr10477488 035 $a(CaONFJC)MIL315127 035 $a(OCoLC)732320753 035 $a(EXLCZ)992670000000094066 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNineteenth-century theatre and the Imperial encounter /$fMarty Gould 210 1$aNew York :$cRoutledge,$d2011. 215 $a1 online resource (266 p.) 225 1 $aRoutledge advances in theatre and performance studies ;$v18 300 $aDescription based upon print version of record. 311 $a0-415-88984-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction: around the world in eighty plays -- Imperial theatrics: spectacle and empire in the nineteenth century -- Pt. 1: Re-casting the castaway: the nineteenth-century theatrical robinsonade -- The novel is not enough: text and performance in the cataract of the ganges -- Adapting a nation to empire: the evolution of the Crusoe pantomime -- Crusoe's clothes: performing authority in the admirable Crichton -- Pt. 2: Theatrical nabobery: imperial wealth, masculinity, and metropolitan identities -- The stage nabob's eighteenth-century origins -- 'The yellow beams of his oriental countenance': the nabob as racial and cultural hybrid -- Australian gold rush plays and the Anglo-Indian nabob's antipodal antithesis -- Pt. 3: Staging the mutiny: ethnicity, masculinity, and imperial crisis -- India in the limelight: empire and the theatre of war -- The empire needs men: mutiny plays and the mobilization of masculinity -- Forging a greater Britain: the highland soldier and the renegotiation of ethnic alterities -- Conclusion: the Imperial encounter from stage to screen. 330 $aIn this study, Gould argues that it was in the imperial capital's theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated access to the imperial periphery; separated from the action by only the thin shadow of the proscenium arch, theatrical audiences observed cross-cultural contact in action. But without narrative direction of the sort found in novels and travelogues, theatregoers were left to their own interpretive devices, making imperial drama both a powerful 410 0$aRoutledge advances in theatre and performance studies ;$v18. 606 $aTheater$zGreat Britain$xHistory$y19th century 606 $aEnglish drama$y19th century$xHistory and criticism 606 $aTheater and society$zGreat Britain$xHistory$y19th century 606 $aImperialism$zGreat Britain$xHistory 615 0$aTheater$xHistory 615 0$aEnglish drama$xHistory and criticism. 615 0$aTheater and society$xHistory 615 0$aImperialism$xHistory. 676 $a792/.0941/09034 700 $aGould$b Marty$f1972-,$01685760 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823178803321 996 $aNineteenth-century theatre and the Imperial encounter$94058144 997 $aUNINA