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100   $a20131025d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aChasing sound $etechnology, culture, and the art of studio recording from Edison to the LP /$fSusan Schmidt Horning
210  1$aBaltimore :$cJohns Hopkins University Press,$d2013.
215   $a1 online resource (321 p.)
225  0$aStudies in industry and society
300   $aDescription based upon print version of record.
311   $a1-4214-1022-2 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; Acknowledgments; Introduction; 1 Capturing Sound in the Acoustic Era: Recording Professionals and Clever Mechanics; 2 The Studio Electrifies: Radio, Recording, and the Birth of the Small Studio Business; 3 A Passion for Sound: Amateur Recordists, the Audio Engineering Society, and the Evolution of a Profession; 4 When High Fidelity Was New: The Studio as Instrument; 5 Control Men in Technological Transition: Engineering the Performance in the Age of High Fidelity; 6 The Search for the Sound: Rhythm and Blues, Rock 'n' Roll, and the Rise of the Independents
327   $a7 Channeling Sound: Technology, Control, and Fixing It in the MixConclusion; Notes; Essay on Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Illustrations
410  0$aStudies in Industry and Society
606   $aPopular music$xProduction and direction$xHistory
606   $aSound recording industry$xHistory
606   $aSound recordings$xProduction and direction$xHistory
606   $aSound studios$xHistory
606   $aSound$xRecording and reproducing$xHistory
615  0$aPopular music$xProduction and direction$xHistory.
615  0$aSound recording industry$xHistory.
615  0$aSound recordings$xProduction and direction$xHistory.
615  0$aSound studios$xHistory.
615  0$aSound$xRecording and reproducing$xHistory.
676   $a781.490973
700   $aSchmidt Horning$b Susan$01683945
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910823148103321
996   $aChasing sound$94055092
997   $aUNINA