LEADER 02321nam 2200457 450 001 9910823126403321 005 20201202130728.0 010 $a90-04-43104-7 024 7 $a10.1163/9789004431041 035 $a(CKB)4100000010566075 035 $z(OCoLC)1143637555 035 $a(nllekb)BRILL9789004431041 035 $a(MiAaPQ)EBC6276235 035 $a(EXLCZ)994100000010566075 100 $a20201202d2020 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 10$aFlorence, Berlin and beyond $elate nineteenth-century art markets and their social networks /$fLynn Catterson 210 1$aLeiden, Netherlands ;$aBoston, New Jersey :$cBRILL,$d2020. 215 $a1 online resource 225 1 $aStudies in the History of Collecting & Art Markets ;$vvolume 9 300 $aIncludes index. 311 $a90-04-41990-X 320 $aIncludes bibliographical references and index. 327 $aForming a collection -- Transacting an entire collection -- Dealers for dealers -- (No longer) obscure agents -- Issues of attribution. 330 $aRecent and increasing interest in art market studies?the dealers, mediators, advisors, taste makers, artists, etc.?indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place. 410 0$aStudies in the history of collecting & art markets ;$vv. 9. 606 $aBusiness networks 615 0$aBusiness networks. 676 $a709.409034 700 $aCatterson$b Lynn$01617909 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823126403321 996 $aFlorence, Berlin and beyond$94022288 997 $aUNINA