LEADER 04414nam 2200577 450 001 9910822975203321 005 20200520144314.0 010 $a0-231-85096-4 024 7 $a10.7312/fras17748 035 $a(CKB)3710000000709248 035 $a(EBL)4528380 035 $a(OCoLC)951221475 035 $a(MiAaPQ)EBC4528380 035 $a(DE-B1597)473322 035 $a(OCoLC)945215277 035 $a(DE-B1597)9780231850964 035 $a(Au-PeEL)EBL4528380 035 $a(CaPaEBR)ebr11212629 035 $a(CaONFJC)MIL934495 035 $a(EXLCZ)993710000000709248 100 $a20160601h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aCultures of representation $edisability in world cinema contexts /$fedited by Benjamin Fraser 205 $aNONE 210 1$aLondon, [England] ;$aNew York, New York :$cWallflower Press,$d2016. 210 4$d©2016 215 $a1 online resource (283 p.) 225 1 $aNONE 300 $aIncludes index. 311 $a0-231-17748-8 311 $a0-231-17749-6 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tNotes on Contributors -- $tIntroduction. Disability Studies, World Cinema and the Cognitive Code of Reality -- $tGlobal In(ter)dependent Disability Cinema: Targeting Ephemeral Domains of Belief and Cultivating Aficionados of the Body -- $t?Beyond Forgiveness?? Lee Chang-dong?s Oasis (2002) and the Mobilisation of Disability Discourses in the Korean New Wave -- $tRefusing Chromosomal Pairing. Inclusion, Disabled Masculinity, Sexuality and Intimacy in Yo, también (2009) -- $tDunce! Duffer! Dimwit! Dyslexia in Bollywood?s Taare Zameen Par (2007) -- $tLandscapes of Children. Picturing Disability in Buñuel?s Los olvidados (1950) -- $tFearful Reflections. Representations of Disability in Post-war Dutch Cinema (1973?2011) -- $t?People Endure?. The Function of Autism in Anton?s Right Here (2012) -- $tDisplaying Autism. The Thinking and Images of Temple Grandin (2010) -- $tMore than the ?Other?? On Four Tendencies Regarding the Representation of Disability in Contemporary German Film (2005?2010) -- $tThe Other Body. Psychiatric Disability and Pedro Almodóvar (1988?2011) -- $tOn the Road to Normalcy. European Road Movies and Disability (2002?2011) -- $tRe-envisioning Italy?s ?New Man? in Bella non piangere! (1955) -- $t?Get Your Legs Back?. Avatar (2009) and the Re-booting of American Individualism -- $tThrough the Disability Lens. Revisiting Ousmane Sembène?s Xala (1975) and Camp de Thiaroye (1988) -- $tHomes Wretched and Wrecked. Disability as Social Dis-ease in Kurosawa?s Dodes?ka-den (1970) -- $tLeprosy and the Dialectical Body in Forugh Farrokhzad?s The House is Black (1964) -- $tIndex 330 $aCultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries ? from Temple Grandin to Pedro Almodóvar, from Akira Kurosawa to Bollywood ? while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike. 410 0$aNONE 606 $aPerforming arts$xHistory 606 $aPerforming arts$vExhibitions 615 0$aPerforming arts$xHistory. 615 0$aPerforming arts 676 $a791.03 702 $aFraser$b Benjamin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822975203321 996 $aCultures of representation$94004084 997 $aUNINA