LEADER 04255nam 2200565 450 001 9910822887803321 005 20240111220221.0 010 $a90-04-30633-1 024 7 $a10.1163/9789004306332 035 $a(CKB)3710000000499678 035 $a(EBL)4397592 035 $a(SSID)ssj0001579079 035 $a(PQKBManifestationID)16255111 035 $a(PQKBTitleCode)TC0001579079 035 $a(PQKBWorkID)14799397 035 $a(PQKB)10799842 035 $a(MiAaPQ)EBC4397592 035 $a(nllekb)BRILL9789004306332 035 $a(EXLCZ)993710000000499678 100 $a20150928d2015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aImaginary films in literature$b[e-book] /$fedited by Stefano Ercolino, Massimo Fusillo, Mirko Lino, Luca Zenobi 210 1$aLeiden ;$aBoston :$cBrill,$d2015. 215 $a1 online resource (247 p.) 225 0 $aStudies in comparative literature ;$vv. 82 300 $aDescription based upon print version of record. 311 $a90-04-30632-3 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rStefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi --$tIntroduction /$rMassimo Fusillo --$tNotes toward a Theory of Cinematic ?Ekphrasis? /$rJames A.W. Heffernan --$tThe Killing Vision: David Foster Wallace?s Infinite Jest /$rStefano Ercolino --$t?Writing the Making of?: A New Literary Genre? /$rJan Baetens --$t?A Film Run in Installments?: Memory and Cinema in Tom McCarthy?s Remainder /$rVincenzo Maggitti --$tTowards Other Worlds, Towards Other Meanings: Screenplays on the Edge of the Plot /$rClotilde Bertoni --$tPaul Auster, Hector Mann and The Book of Illusions /$rAnna Scannavini --$tMañana en la batalla piensa en mí: Cinema, Theatre, Television and the Creative Force of the Word /$rFederica Ivaldi --$t?Quo vadis ? Kino?? Kurt Pinthus and the Theoretical Debate on the Birth of Cinema in Germany /$rLuca Zenobi --$tThe Outer Life of Martin Frost, or Never Make an Imaginary Film /$rSilvia Albertazzi --$tOn Conceiving (and Sometimes Not Succeeding in Making) a Film /$rGiulio Iacoli --$tThe ?Quasi-Truth?: Literature and Cinema in Starnone and Piccolo /$rGianluigi Simonetti --$tBreakfast at the Prater: Christopher Isherwood, His Women and Men /$rGian Piero Piretto --$tAlpdrücken and the Spectrum of Power in Gravity?s Rainbow by Thomas Pynchon /$rMirko Lino --$tPattern Recognition: The ?Postcinema? Seen by William Gibson /$rSimone Arcagni --$tBibliography /$rStefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi --$tIndex /$rStefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi. 330 $aSince cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis , the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies ? a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as ?memory?, ?fragmentation?, ?desire?, ?genre?, ?authorship?, and ?censorship?. 410 0$aTextxet: Studies in Comparative Literature$v82. 606 $aFilm adaptations$xHistory and criticism 606 $aMotion pictures and literature 615 0$aFilm adaptations$xHistory and criticism. 615 0$aMotion pictures and literature. 676 $a809.93357 701 $aErcolino$b Stefano$f1985-$0715588 701 $aFusillo$b Massimo$f1959-$0221246 701 $aLino$b Mirko$0761072 701 $aZenobi$b Luca$0616734 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910822887803321 996 $aImaginary films in literature$94119954 997 $aUNINA