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101 0 $aeng
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181   $ctxt
182   $cc
183   $acr
200 14$aThe dark mirror $eGerman cinema between Hitler and Hollywood /$fLutz Koepnick
205   $a1st ed.
210   $aBerkeley $cUniversity of California Press$dc2002
215   $a1 online resource (339 p.)
225 1 $aWeimar and now ;$v32
300   $aDescription based upon print version of record.
311   $a0-520-23310-7 
320   $aIncludes bibliographical references and index.
327   $aIllustrations; Acknowledgments; Introduction: The Dark Mirror; 1 Sounds of Silence Nazi Cinema and the Quest for a National Culture Industry; 2 Incorporating the Underground Curtis Bernhardt's The Tunnel; 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire; 4 Siegfried Rides Again: Nazi Westerns and Modernity; 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions; 6 Berlin Noir: Robert Siodmak's Hollywood; 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism; 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody
327   $aEpilogue: "Talking about Germany" Notes; Index
330   $aLutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930's until the mid 1950's, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system.
410  0$aWeimar and now ;$v32.
606   $aMotion pictures$zGermany$xHistory
606   $aMotion picture producers and directors$zGermany$vBiography
606   $aGermans$zCalifornia$zLos Angeles
615  0$aMotion pictures$xHistory.
615  0$aMotion picture producers and directors
615  0$aGermans
676   $a791.43/0943
700   $aKoepnick$b Lutz P$g(Lutz Peter)$01087217
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906   $aBOOK
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996   $aThe dark mirror$94187465
997   $aUNINA