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101 0 $aeng
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181   $ctxt
182   $cc
183   $acr
200 14$aThe female nude $eart, obscenity, and sexuality /$fLynda Nead
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d1992
215   $a1 online resource (184 p.)
300   $aDescription based upon print version of record.
311   $a1-138-13044-3 
311   $a0-415-02678-4 
320   $aIncludes bibliographical references (p. 122-130) and index.
327   $aBook Cover; Title; Contents; List of plates; Introduction; FRAMING THE FEMALE BODY; A DISCOURSE ON THE NAKED AND THE NUDE; A STUDY OF IDEAL ART; AESTHETICS AND THE FEMALE NUDE; OBSCENITY AND THE SUBLIME; 'THE DAMAGED VENUS'; THE FRAMEWORK OF TRADITION; THE LESSONS OF THE LIFE CLASS; ART CRITICISM AND SEXUAL METAPHOR; BREAKING OPEN THE BOUNDARIES; REDRAWING THE LINES; SACRED FRONTIERS; PURE AND MOTIVATED PLEASURE; POLICING THE BOUNDARIES; DISPLAYING THE FEMALE BODY; EROTIC ART: A FRAME FOR DESIRE; Notes; Works cited; Index
330   $aAnyone who examines the history of Western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes `art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of Western culture, a symbol of civilization and accomplishment. But how and why did the female nude acquire this status?The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art, and by exploring the ways in which acceptable and unacceptab
606   $aFemale nude in art
606   $aSex in art
615  0$aFemale nude in art.
615  0$aSex in art.
676   $a704.9/424
700   $aNead$b Lynda$0254853
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996   $aThe female nude$93991252
997   $aUNINA