LEADER 03635nam 2200529 450 001 9910822740303321 005 20200520144314.0 010 $a0-231-85090-5 024 7 $a10.7312/gear17340 035 $a(CKB)3710000000628062 035 $a(EBL)4454806 035 $a(MiAaPQ)EBC4454806 035 $a(DE-B1597)473089 035 $a(OCoLC)945078556 035 $a(DE-B1597)9780231850902 035 $a(Au-PeEL)EBL4454806 035 $a(CaPaEBR)ebr11210866 035 $a(CaONFJC)MIL915434 035 $a(EXLCZ)993710000000628062 100 $a20160527h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAt the end of the street in the shadow $eOrson Welles and the city /$fMatthew Asprey Grey 210 1$aLondon, [England] ;$aNew York :$cWallflower Press,$d2016. 210 4$d©2016 215 $a1 online resource (303 p.) 300 $aIncludes index. 311 $a0-231-17340-7 311 $a0-231-17341-5 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tINTRODUCTION -- $tINTRODUCTION -- $tCHAPTER ONE. THE DECLINE AND FALL OF THE LINCOLN REPUBLIC -- $tCHAPTER 2. AN EMPIRE UPON AN EMPIRE -- $tCHAPTER 3. THE DARKENING MIDLAND -- $tCHAPTER 4. DARKNESS AND FEAR -- $tCHAPTER 5. THE RAUCOUS RAGGLE-TAGGLE JAMBOREE OF THE STREETS -- $tCHAPTER 6. RATLINE TO MAIN STREET -- $tCHAPTER 7. PORT TO PORT -- $tCHAPTER 8. THE BORDER -- $tCHAPTER 9. RETURN TO THE PERIPHERY -- $tINTERLUDE. A FREE MAN IS EVERYWHERE -- $tCHAPTER 10. SKIES AND RUBBLESCAPE -- $tCHAPTER 11. LOST IN A LABYRINTH -- $tCHAPTER 12. TO ADORE THE IMPOSSIBLE -- $tCHAPTER 13. IN THE LAND OF DON QUIXOTE -- $tINDEX 330 $aThe films of Orson Welles inhabit the spaces of cities?from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character.This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities?the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes.The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed?an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays. 606 $aCities and towns in motion pictures 615 0$aCities and towns in motion pictures. 676 $a791.430233092 686 $aAP 51380$2rvk 700 $aGrey$b Matthew Asprey$01724457 702 $aGear$b Matthew Asprey, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822740303321 996 $aAt the end of the street in the shadow$94126586 997 $aUNINA LEADER 02466cam a2200349 4500 001 991002972729707536 005 20250430125929.0 008 940805s1568 it ac b 000 0 ita d 035 $ab14262551-39ule_inst 035 $aCICOGNARA-0334$9ExL 040 $aBibl. Interfacoltà T. Pellegrino$bita 100 1 $aAlberti, Leon Battista$d<1404-1472>$035951 240 10$aGruppi, scelte$9(Alberti, Leon Battista, 1404-1472)$91388351 245 10$aOpvscoli morali di Leon Batista Alberti gentil'hvomo fiorentino:$bne' quali si contengono molti ammaestramenti, necessarij al viuer de l'huomo, così posto in dignità, come priuato.$cTradotti, & parte corretti da m. Cosimo Bartoli. 246 3 $aOpuscoli morali di Leon Batista Alberti gentil'huomo fiorentino. 260 $aIn Venetia :$bappresso Francesco Franceschi, Sanese,$c1568. 300 $a[8], 426, [6] p. :$bill., ritr.; $c4° (24 cm) 500 $aFront. inciso. 500 $aIncisioni xilografiche. 500 $aNumerosi errori nella paginazione. 500 $a"Sono XV opuscoli, o trattati varii, ciascheduno de' quali è dal traduttore indirizzato a qualche suo speciale amico con lettera particolare ... I due opuscoli (e per quanto credesi anche quello della Repubblica) della Vita rustica e della Fortuna furono dall'Alberti istesso distesi in lingua toscana". -- Gamba, Testi di lingua (4th ed., 1839) no. 1189. 500 $aRiproduzione in microfiche dell'originale conservato presso la Biblioteca Apostolica Vaticana 505 0 $aMomo, ouero del principe. -- Discorsi da senatori. -- Dell'amministrar la ragione. -- Della comodità & incomodità delle lettere. -- Della vita di san Potito. -- La cifera. -- Piaceuolezze mathematiche. -- Della republica, vita ciuile, & rusticana, & della fortuna. -- Della statua. -- Della pittura. -- Della mosca. -- Del cane. -- Apollogi. -- Hecathonfila. -- Deifira. 700 1 $aBartoli, Cosimo$d<1503-1572> 787 18$iLeopoldo Cicognara Program :$tBiblioteca Cicognara$h[microform] : literary sources in the history of art and kindred subjects 787 18$tCatalogo ragionato dei libri d'arte e d'antichità / Leopoldo Cicognara 907 $a.b14262551$b01-04-22$c28-07-16 912 $a991002972729707536 945 $aLE002 SB Raccolta Cicognara, mcrf 388$g0$lle002$pE0.00$rn$so $t11$u0$v0$w0$x0$y.i15733361$z28-07-16 996 $aGruppi, scelte$91388351 997 $aUNISALENTO 998 $ale002$b28-07-16$cm$dg $e-$fita$git $h0$i1