LEADER 03635nam 2200529 450 001 9910822740303321 005 20200520144314.0 010 $a0-231-85090-5 024 7 $a10.7312/gear17340 035 $a(CKB)3710000000628062 035 $a(EBL)4454806 035 $a(MiAaPQ)EBC4454806 035 $a(DE-B1597)473089 035 $a(OCoLC)945078556 035 $a(DE-B1597)9780231850902 035 $a(Au-PeEL)EBL4454806 035 $a(CaPaEBR)ebr11210866 035 $a(CaONFJC)MIL915434 035 $a(EXLCZ)993710000000628062 100 $a20160527h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAt the end of the street in the shadow $eOrson Welles and the city /$fMatthew Asprey Grey 210 1$aLondon, [England] ;$aNew York :$cWallflower Press,$d2016. 210 4$dİ2016 215 $a1 online resource (303 p.) 300 $aIncludes index. 311 $a0-231-17340-7 311 $a0-231-17341-5 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tINTRODUCTION -- $tINTRODUCTION -- $tCHAPTER ONE. THE DECLINE AND FALL OF THE LINCOLN REPUBLIC -- $tCHAPTER 2. AN EMPIRE UPON AN EMPIRE -- $tCHAPTER 3. THE DARKENING MIDLAND -- $tCHAPTER 4. DARKNESS AND FEAR -- $tCHAPTER 5. THE RAUCOUS RAGGLE-TAGGLE JAMBOREE OF THE STREETS -- $tCHAPTER 6. RATLINE TO MAIN STREET -- $tCHAPTER 7. PORT TO PORT -- $tCHAPTER 8. THE BORDER -- $tCHAPTER 9. RETURN TO THE PERIPHERY -- $tINTERLUDE. A FREE MAN IS EVERYWHERE -- $tCHAPTER 10. SKIES AND RUBBLESCAPE -- $tCHAPTER 11. LOST IN A LABYRINTH -- $tCHAPTER 12. TO ADORE THE IMPOSSIBLE -- $tCHAPTER 13. IN THE LAND OF DON QUIXOTE -- $tINDEX 330 $aThe films of Orson Welles inhabit the spaces of cities?from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character.This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities?the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes.The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed?an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays. 606 $aCities and towns in motion pictures 615 0$aCities and towns in motion pictures. 676 $a791.430233092 686 $aAP 51380$2rvk 700 $aGrey$b Matthew Asprey$01724457 702 $aGear$b Matthew Asprey, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822740303321 996 $aAt the end of the street in the shadow$94126586 997 $aUNINA