LEADER 00868nam0-2200301---450- 001 990008623820403321 005 20080225111950.0 010 $a82-00-07696-2 035 $a000862382 035 $aFED01000862382 035 $a(Aleph)000862382FED01 035 $a000862382 100 $a20080225d1986----km-y0itay50------ba 101 0 $aeng 102 $aNO 105 $aa-------001yy 200 1 $aModern Norwegian architecture$fChristian Norberg-Schulz 210 $aOslo [etc.]$cNorwegian University Press$dc1986 215 $a156 p.$cill.$d25 cm 610 0 $aArchitettura$aNorvegia$aSec. 20. 700 1$aNorberg-Schulz,$bChristian$f<1926- >$010894 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008623820403321 952 $a10.331$b1710$fDARST 959 $aDARST 996 $aModern Norwegian architecture$9714669 997 $aUNINA LEADER 02871nam 2200505 450 001 9910798800303321 005 20220516153159.0 010 $a90-04-32455-0 024 7 $a10.1163/9789004324558 035 $a(CKB)3710000000836718 035 $a(MiAaPQ)EBC5024424 035 $a(OCoLC)951724345 035 $a(nllekb)BRILL9789004324558 035 $a(PPN)174388470 035 $a(EXLCZ)993710000000836718 100 $a20171012h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFrom face to face $erecarving of Roman portraits and the late-antique portrait arts /$fby Marina Prusac Ph.D., University of Oslo 205 $aSecond revised edition 210 1$aLeiden, [Netherlands] ;$aBoston, [Massachusetts] :$cBrill,$d2016. 210 4$dİ2016 215 $a1 online resource (381 pages) $cillustrations, maps 225 1 $aMonumenta Graeca et Romana,$x0169-8850 ;$vVolume 18 311 $a90-04-32184-5 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction : the history of sculpture reuse and related problems -- The reuse of sculpture and recarving of portraits -- Statistical analyses -- The 1st-2nd centuries CE and the damnatio memoriae portraits -- The Third century CE -- Late antiquity and the emergence of new visual expressions -- Recarving methods -- Classifications -- Social aspects -- Conclusions : oblivion and reinvention -- Summary -- Map with portrait provinces -- The Roman imperial succession until Justinian I -- Calalogue of recarved portraits -- Bibliography. 330 8 $aThis book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. 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Introduction -- $t2. Fortifying the City upon a Hill: College Football and Cold War Citizenship -- $t3. Duck Walking the Couch Potato: Exercise as Therapy for a Consumer Society -- $t4. The Best Seat in the Ballpark: Lifestyle and the Televisual Event -- $t5. Fordism in the Airwaves: The NCAA's Use of Market Regulations to Control College Athletics -- $t6. From Neighborhood to Nation: Geographical Imagination of the Cold War in Sports Illustrated -- $t7. Conclusion -- $tAppendix: Note on Methodology -- $tNotes -- $tReferences -- $tIndex -- $tAbout the Author 330 $aThe early Cold War (1947-1964) was a time of optimism in America. Flushed with confidence by the Second World War, many heralded the American Century and saw postwar affluence as proof that capitalism would solve want and poverty. Yet this period also filled people with anxiety. Beyond the specter of nuclear annihilation, the consumerism and affluence of capitalism's success were seen as turning the sons of pioneers into couch potatoes. In Discipline and Indulgence, Jeffrey Montez de Oca demonstrates how popular culture, especially college football, addressed capitalism's contradictions by integrating men into the economy of the Cold War as workers, warriors, and consumers. In the dawning television age, college football provided a ritual and spectacle of the American way of life that anyone could participate in from the comfort of his own home. College football formed an ethical space of patriotic pageantry where men could produce themselves as citizens of the Cold War state. 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