LEADER 01144nam--2200385---450- 001 990003208000203316 005 20090319152912.0 010 $a978-90-272-5512-9 035 $a000320800 035 $aUSA01000320800 035 $a(ALEPH)000320800USA01 035 $a000320800 100 $a20090319d2008----km-y0itay50------ba 101 $aeng 102 $aNL 105 $a||||||||001yy 200 1 $a<> Left Periphery$ethe interaction of syntax, pragmatics and prosody in Czech$fAnne Sturgeon 210 $aAmsterdam$aPhiladelphia$cBenjamins$dcopyr. 2008 215 $aIX, 143 p. 225 2 $aLinguistik Aktuell/Linguistics Today$v129 410 0$12001$aLinguistik Aktuell/Linguistics Today 454 1$12001 461 1$1001-------$12001 606 0 $aLinguistica$xPragmatica 676 $a491.865 700 1$aSTURGEON,$bAnne$0603377 801 0$aIT$bsalbc$gISBD 912 $a990003208000203316 951 $aI.8.G.12$b8926 DSLL 959 $aBK 969 $aDSLL 979 $aDSLL$b90$c20090319$lUSA01$h1411 979 $aDSLL$b90$c20090319$lUSA01$h1529 996 $aLeft Periphery$91012024 997 $aUNISA LEADER 05293nam 2200793Ia 450 001 9910822614203321 005 20230124191344.0 010 $a0-8232-5128-4 010 $a0-8232-5270-1 010 $a0-8232-5129-2 035 $a(CKB)3170000000060593 035 $a(EBL)3239817 035 $a(SSID)ssj0000871865 035 $a(PQKBManifestationID)11463704 035 $a(PQKBTitleCode)TC0000871865 035 $a(PQKBWorkID)10842220 035 $a(PQKB)11373625 035 $a(StDuBDS)EDZ0000155673 035 $a(MiAaPQ)EBC3239817 035 $a(OCoLC)847005653 035 $a(MdBmJHUP)muse22191 035 $a(Au-PeEL)EBL3239817 035 $a(CaPaEBR)ebr10693768 035 $a(OCoLC)923764043 035 $a(EXLCZ)993170000000060593 100 $a20121218d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe melancholy assemblage$b[electronic resource] $eaffect and epistemology in the English Renaissance /$fDrew Daniel 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 215 $a1 online resource (329 p.) 300 $aDescription based upon print version of record. 311 $a0-8232-5127-6 320 $aIncludes bibliographical references (p. 253-302) and index. 327 $a""Contents""; ""Illustrations""; ""Acknowledgments""; ""Introduction""; ""1. From Drers Angel to Harlow's Monkey""; ""Hanging the Head""; ""Melancholy and/as Posture from Drer to Oliver""; ""Walter Benjamin on the Idea as Configuration""; ""The Shield as Impresa of Physical Vulnerability""; ""A Pose Is a Pose Is a Pose""; ""2. Three Hundred Years Out of Fashion""; ""Affect and Affectation""; ""Don Adriano de Armado, Walter Benjamin, and the Dialectical Theater of Melancholy Fashion""; ""Biron, Sigmund Freud, and Melancholy Wit"" 327 $a""You That Way. We This Way?: Melancholy Transmission from Male Minds to Female Bodies""""3. Let Me Have Judgment, and the Jew His Will""; ""Weariness and Wariness""; ""The Standing Pool? of Melancholy""; ""Antonio as the Subject of Masochistic Fantasy""; ""Sacrifice, Subjection, and the Melancholy Pound of Flesh""; ""4. That Within Which Passes Show""; ""Mourning, Melancholy/Melancholia, and the Hamlet mystery""; ""Less than kin and more than kind?: Hamlet's Melancholic Aside""; ""Seeing Things and Hearing Voices: Epistemology, Spectatorship, Audition"" 327 $a"Audience to this Act: Assembling the Witnesses""""5. Rhapsodies of Rags""; ""A Melancholy Stereoscope""; ""Burton Criticism as Melancholy Ruin""; ""Assemblage as Argument: Burton on the Inward Causes of Melancholy""; ""Digression as Argument: Benjamin on the Mosaic of Melancholy""; ""6. My Self, My Sepulcher""; ""Humours Black: Samson as Melancholic""; ""O blot to honor and religion: Masculinity and Effeminacy""; ""Choosing Death as Due?: Samson as Masochist""; ""Pathology and/or Redemption"" 327 $a""Rousing Motions: Aristotle, Galen, and the Materiality of Emotion""""All Passion Spent?""; ""Epilogue Disassembling Melancholy""; ""Notes""; ""Bibliography""; ""Index"" 330 $a"This book considers melancholy as an "assemblage," as a network of dynamic, interpretive relationships between persons, bodies, texts, spaces, structures, and things. In doing so, it parts ways with past interpretations of melancholy. Tilting the English Renaissance against the present moment, Daniel argues that the basic disciplinary tension between medicine and philosophy persists within contemporary debates about emotional embodiment. To make this case, the book binds together the paintings of Nicholas Hilliard and Isaac Oliver, the drama of Shakespeare, the prose of Burton, and the poetry of Milton. Crossing borders and periods, Daniel combines recent theories which have--until now--been regarded as incongruous by their respective advocates. Asking fundamental questions about how the experience of emotion produces community, the book will be of interest to scholars of early modern literature, psychoanalysis, the affective turn, and continental philosophy"--$cProvided by publisher. 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism$xTheory, etc 606 $aAffect (Psychology) in literature 606 $aKnowledge, Theory of, in literature 606 $aLiterature and science$zGreat Britain$xHistory 606 $aArt and literature$zGreat Britain$xHistory 606 $aScience in literature 606 $aScience$xPhilosophy 606 $aRenaissance$zEngland 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aAffect (Psychology) in literature. 615 0$aKnowledge, Theory of, in literature. 615 0$aLiterature and science$xHistory. 615 0$aArt and literature$xHistory. 615 0$aScience in literature. 615 0$aScience$xPhilosophy. 615 0$aRenaissance 676 $a820.9/353 686 $aLIT000000$aLIT015000$aLIT004120$2bisacsh 700 $aDaniel$b Drew$f1971-$01660956 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822614203321 996 $aThe melancholy assemblage$94016548 997 $aUNINA