LEADER 03552nam  2200793Ia 450 
001 9910822602103321
005 20200520144314.0
010   $a1-136-22744-X
010   $a0-203-09853-6
010   $a1-283-84171-1
010   $a1-136-22745-8
024 7 $a10.4324/9780203098530 
035   $a(CKB)2670000000298864
035   $a(EBL)1075063
035   $a(OCoLC)821174461
035   $a(SSID)ssj0000784680
035   $a(PQKBManifestationID)11428638
035   $a(PQKBTitleCode)TC0000784680
035   $a(PQKBWorkID)10763599
035   $a(PQKB)11360108
035   $a(MiAaPQ)EBC1075063
035   $a(Au-PeEL)EBL1075063
035   $a(CaPaEBR)ebr10630812
035   $a(CaONFJC)MIL415421
035   $a(OCoLC)823738093
035   $a(OCoLC)895716516
035   $a(FINmELB)ELB134991
035   $a(EXLCZ)992670000000298864
100   $a20120319d2013      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe aesthetics of antifascism film $eradical projection /$fJennifer Lynde Barker
205   $a1st ed.
210   $aNew York $cRoutledge$d2013
215   $a1 online resource (303 p.)
225 0 $aRoutledge advances in film studies ;$v19
300   $aDescription based upon print version of record.
311   $a1-138-69579-3 
311   $a0-415-89915-X 
320   $aIncludes bibliographical references and index.
327   $aThe Aesthetics of Antifascist Film: Radical Projection; Copyright; Contents; List of Figures; List of Permissions; Acknowledgments; 1 Introduction: Face-to-Face with the Angel of History; Part I: Murderers Among Us: WWII, Antifascism and Film; 2 The Swastika World and the Aesthetics of Resistance; 3 Radical Projection; 4 Great Dictators; 5 Paranoia and Pedagogy; Part II: Global Exiles During the Cold War; 6 Radical Beauty; 7 Forbidden Games; 8 Perversion and Pervasion; 9 Radical Transmissions; Notes; Bibliography; Index
330   $aThrough a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods.Emerging during a critical moment in film history-1930s/1940s Hollywood- cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in e?migre? Hol
410  0$aRoutledge Advances in Film Studies
606   $aFascism in motion pictures
606   $aAnti-fascist movements in motion pictures
606   $aMotion pictures$xPolitical aspects
606   $aMotion pictures$xAesthetics
606   $aWorld War, 1939-1945$xMotion pictures and the war
606   $aCold War in motion pictures
606   $aFascist aesthetics
615  0$aFascism in motion pictures.
615  0$aAnti-fascist movements in motion pictures.
615  0$aMotion pictures$xPolitical aspects.
615  0$aMotion pictures$xAesthetics.
615  0$aWorld War, 1939-1945$xMotion pictures and the war.
615  0$aCold War in motion pictures.
615  0$aFascist aesthetics.
676   $a791.4301
700   $aBarker$b Jennifer Lynde$01656814
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910822602103321
996   $aThe aesthetics of antifascism film$94202150
997   $aUNINA