LEADER 04294nam 22006131 450 001 9910822538003321 005 20240401221752.0 010 $a1-4725-3764-5 010 $a1-4725-3763-7 035 $a(CKB)2550000001144501 035 $a(EBL)1507616 035 $a(SSID)ssj0001161059 035 $a(PQKBManifestationID)11633642 035 $a(PQKBTitleCode)TC0001161059 035 $a(PQKBWorkID)11126625 035 $a(PQKB)11111401 035 $a(MiAaPQ)EBC1507616 035 $a(Au-PeEL)EBL1507616 035 $a(CaPaEBR)ebr10788127 035 $a(CaONFJC)MIL615833 035 $a(OCoLC)862049959 035 $a(EXLCZ)992550000001144501 100 $a20060524d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 13$aAn introduction to nineteenth-century French literature /$fTim Farrant 205 $a1st ed. 210 1$aLondon :$cBloomsbury,$d2007. 215 $a1 online resource (217 p.) 225 1 $aNew readings 300 $aDescription based upon print version of record. 311 $a0-7156-2907-7 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Acknowledgements; Author's Note; Preface; Chronology; 1. Histories; 1.1. Napoleon: myth and impact; 1.2. De?senchantement and arrivisme; 1.3. Representing the contemporary: histories and novels; Illustration; 2. Stories; 2.1. Confessional narratives; 2.2. Memoirs and autobiographies; 2.3. Short stories; 3. Poetry; 3.1. From Classicism to iconoclasm; 3.2. Lyricism and vision; 3.2.1. Lyricism: Lamartine and Desbordes-Valmore; 3.2.2. Vision: Hugo and Baudelaire; 3.3. Things and effects; 3.3.1. L'Art pour l'art and Parnassianism: Gautier and Leconte de Lisle; 3.3.2. Verlaine 327 $a3.3.3. Rimbaud3.3.4. Mallarme?; 4. Drama; 4.1. Public and private, political and personal; 4.2. Dramas of money and morals; 4.3. The farce of objects: Labiche and Feydeau; 4.3.1. Labiche: Un Chapeau de paille d'Italie; 4.3.2. Feydeau: Le Dindon; 4.3.3. Becque: Les Corbeaux; 4.4. Dramas of interiority: Maeterlinck, Pelle?as et Me?lisande and Inte?rieur; 5. Novels; 5.1. From Gothic to modern; 5.2. Fiction: a women's genre?; 5.3. Serialisation and seriousness: the roman-feuilleton; 5.4. Reality and Realism; 5.5. Objectivity and vision; Illustration; 5.6. Naturalism and the novel; 6. Modernities 327 $a6.1. Science, subjectivity and fiction6.2. Dreams, prose poetry, subjectivity and the Unconscious; 6.2.1. Dreams: Nerval; 6.2.2. Prose poetry: Baudelaire, Lautre?amont; 6.2.3. Subjectivity and the Unconscious: Laforgue; 6.3. Modernity and experiment in theatre; 7. Margins, Peripheries and Centres; 7.1. Space, place and perspective; 7.1.1. Paris and the provinces; 7.2. Artists and bourgeois, bohemians and dandies; 7.3. Gender and sexuality; 7.4. Travel, the exotic and race; 7.4.1. Travel and the exotic; 7.4.2. Race; 7.4.3. Anti-Semitism and the Dreyfus affair; 7.5. Coda: two telling texts 327 $aGlossary of Literary FiguresA; B; C; D; F; G; H; J; K; L; M; N; P; Q; R; S; T; V; Z; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z 330 $aEveryone knows something of nineteenth-century France - or do they? ""Les Miserables"", ""The Lady of the Camelias"" and ""The Three Musketeers"", ""Balzac"" and ""Jules Verne"" live in the popular consciousness as enduring human documents and cultural icons. Yet, the French nineteenth century was even more dynamic than the stereotype suggests. This exciting new introduction takes the literature of the period both as a window on past and present mindsets and as an object of fascination in its own right. Beginning with history, the century''s biggest problem and potential, it looks at narrative 410 0$aNew readings (London, England) 606 $aFrench literature$y19th century$xHistory and criticism 615 0$aFrench literature$xHistory and criticism. 676 $a840.9007 676 $a840.9007 700 $aFarrant$b Tim$01171113 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822538003321 996 $aAn introduction to nineteenth-century French literature$94051972 997 $aUNINA