LEADER 04478nam 22007933u 450 001 9910822520703321 005 20240513051545.0 010 $a9780748643219 024 7 $a10.1515/9780748643219 035 $a(CKB)2670000000056008 035 $a(EBL)615832 035 $a(OCoLC)681348480 035 $a(SSID)ssj0000425773 035 $a(PQKBManifestationID)11965219 035 $a(PQKBTitleCode)TC0000425773 035 $a(PQKBWorkID)10369842 035 $a(PQKB)10291584 035 $a(MiAaPQ)EBC615832 035 $a(DE-B1597)615436 035 $a(DE-B1597)9780748643219 035 $a(EXLCZ)992670000000056008 100 $a20130418d2010|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc rdamedia 183 $acr$2rdacarrier 200 10$aPost-Classical Hollywood $eFilm Industry, Style and Ideology since 1945 205 $a1st ed. 210 $aEdinburgh $cEdinburgh University Press$d2010 215 $a1 online resource (321 p.) 300 $aDescription based upon print version of record. 311 0 $a9780748638581 327 $aCover; Copyright; Contents; Illustrations; Acknowledgements; Introduction; PART I Hollywood in Transition 1945-65; Introduction to Part I; Chapter 1 The Autumn of the Patriarchs; The Biggest, the Best: 1946; Chapter 2 The Communication of Ideas; The Biggest, the Best: 1955; Chapter 3 Modernising Hollywood; PART II Crisis and Renaissance 1966-81; Introduction to Part II; The Biggest, the Best: 1965; Chapter 4 The Changing of the Guard; Chapter 5 New Wave Hollywood; The Biggest, The Best: 1975; Chapter 6 Who Lost the Picture Show?; PART III New Hollywood 1982-2006; Introduction to Part III 327 $aChapter 7 Corporate HollywoodThe Biggest, the Best: 1985; Chapter 8 Culture Wars; The Biggest, the Best: 1995; Chapter 9 Post- Classical Style?; The Biggest, the Best: 2005; Conclusion: 'Hollywood' Now; Appendix; Further Reading; Index 330 $aAt the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry. Nevertheless, at the start of a new century, Hollywood's worldwide dominance remains intact& mdash;indeed, in today's global economy, the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's Hollywood& mdash;embedded within transnational media conglomerates like NewsCorp., Sony, and Viacom& mdash;differ from the legendary studios of its Golden Age? What are 606 $aHollywood (Los Angeles, Calif.) -- History -- 20th century 606 $aHollywood (Los Angeles, Calif.) -- History -- 21st century 606 $aMotion picture industry -- California -- Los Angeles -- History -- 20th century 606 $aMotion picture industry -- California -- Los Angeles -- History -- 21st century 606 $aMotion pictures -- United States -- History -- 20th century 606 $aMotion pictures -- United States -- History -- 21st century 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aMotion pictures$zUnited States$xHistory$y21st century 606 $aMotion picture industry$xHistory$y20th century$zCalifornia$zLos Angeles 606 $aMotion picture industry$xHistory$y21st century$zLos Angeles$zCalifornia 606 $aFilm$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 615 4$aHollywood (Los Angeles, Calif.) -- History -- 20th century. 615 4$aHollywood (Los Angeles, Calif.) -- History -- 21st century. 615 4$aMotion picture industry -- California -- Los Angeles -- History -- 20th century. 615 4$aMotion picture industry -- California -- Los Angeles -- History -- 21st century. 615 4$aMotion pictures -- United States -- History -- 20th century. 615 4$aMotion pictures -- United States -- History -- 21st century. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion picture industry$xHistory 615 0$aMotion picture industry$xHistory 615 7$aFilm 615 7$aMusic, Dance, Drama & Film 676 $a791.43097309045 700 $aLangford$b Barry$01703931 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910822520703321 996 $aPost-Classical Hollywood$94089535 997 $aUNINA