LEADER 03744nam 2200553 450 001 9910822436103321 005 20230721043154.0 010 $a0-19-973828-9 035 $a(CKB)3710000000623086 035 $a(EBL)4704387 035 $a(Au-PeEL)EBL4704387 035 $a(CaPaEBR)ebr11273985 035 $a(OCoLC)779875891 035 $a(MiAaPQ)EBC4704387 035 $a(EXLCZ)993710000000623086 100 $a20161012h20092009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMetric manipulations in Haydn and Mozart $echamber music for strings, 1787-1791 /$fDanuta Mirka 210 1$aOxford, [England] ;$aNew York, New York :$cOxford University Press,$d2009. 210 4$dİ2009 215 $a1 online resource (349 p.) 225 1 $aOxford Studies in Music Theory 300 $aDescription based upon print version of record. 311 $a0-19-935408-1 320 $aIncludes bibliographical references and indexes. 327 $aContents; Introduction; Note on Terminology, Language, and Musical Examples; 1 Musical Meter between Composition and Perception; 1.1 The Concept of Meter in the Late Eighteenth Century; 1.2 The Revival of the Hierarchical Concept of Meter in the Twentieth Century; 1.3 Toward a Dynamic Model of Meter; 1.4 Borrowing from a Different Model; 2 Finding Meter; 2.1 Statistical Parameters; 2.2 Harmony; 2.3 Streaming and the Role of Bass; 2.4 Cadence (Structural Accent); 3 Sustaining Meter-Challenging Meter; 3.1 Metrum and Regularity of Beats; 3.2 Missing Beats; 3.3 General Pauses; 3.4 Fermatas 327 $a3.5 Syncopations4 Changing Meter I: Change of Period; 4.1 Imbroglio; 4.2 Submetrical Dissonance; 4.3 Hemiola; 5 Changing Meter II: Change of Phase; 5.1 Chains of Rhythmical Dissonances; 5.2 Other Parameters in Displacement Dissonances; 5.3 Imitation; 5.4 Ligaturae, Retardation, Anticipation; 5.5 Syncopated Accompaniment; 5.6 A Remark on Subliminal Dissonances; 6 Changing Meter III: Change of Tactus; 6.1 Changes of Taktteile in Compound Meters; 6.2 Changes of Taktteile in Double Measures; 6.3 Perceptual Factors; 6.4 Taktteile and the Tactus; 7 Analyses of Long-Range Metrical Strategies 327 $a7.1 Haydn, String Quartet in C Major, Op. 50 No. 2, First Movement7.2 Haydn, String Quartet in F Minor, Op. 55 No. 2, Finale; 8 Wit, Comedy, and Metric Manipulations in Haydn's and Mozart's Personal Styles; 8.1 Haydn; 8.2 Mozart; 8.3 Haydn's Earlier and Later String Quartets; 8.4 Inconclusive Conclusion; Bibliography; Index of Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z 330 $aFocusing on the period of most intense metric experimentation in the work of both Haydn and Mozart, author Danuta Mirka presents here a systematic discussion of the composers' metric strategies. Combining historical music theory with the cognitive study of music, Mirka's award-winning book sheds new light on this repertoire and redefines the role of meter and rhythm in Classical music. 410 0$aOxford studies in music theory. 606 $aMusical meter and rhythm 606 $aChamber music$y18th century$xAnalysis, appreciation 606 $aChamber music$y18th century$xHistory and criticism 615 0$aMusical meter and rhythm. 615 0$aChamber music$xAnalysis, appreciation. 615 0$aChamber music$xHistory and criticism. 676 $a785/.70922 700 $aMirka$b Danuta$01126325 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822436103321 996 $aMetric manipulations in Haydn and Mozart$92657707 997 $aUNINA