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100   $a20130418d2003||||  u||         |
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aChina's new voices$b[electronic resource] $epopular music, ethnicity, gender, and politics, 1978-1997
205   $a1st ed.
210   $aBerkeley $cUniversity of California Press$d2003
215   $a1 online resource (349 p.)
300   $aDescription based upon print version of record.
311   $a0-520-23449-9 
327   $aList of Illustrations; Preface; Acknowledgments; Introduction; 1. China Diversified: An Overview of Popular Music in the Reform Era, 1978 -1997; 2. The Negotiation of Minority/ Majority Identities and Representation in Popular Music Culture; 3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality; 4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity; Notes; References; Index
330   $aThis is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980's and 1990's, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state.
606   $aChina - Civilization - 1976-
606   $aPopular music
606   $aPopular music-- Social aspects-- China
615  4$aChina - Civilization - 1976-.
615  4$aPopular music.
615  4$aPopular music-- Social aspects-- China.
676   $a306.4/84
700   $aBaranovitch$b Nimrod$0688826
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910822268503321
996   $aChina's new voices$91234799
997   $aUNINA