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100   $a20200123d2015      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aThe artist as curator /$fedited by Celina Jeffery
210  1$aBristol, UK ;$aChicago, USA :$cIntellect,$d2015.
215   $a1 online resource (214 p.)
300   $aDescription based upon print version of record.
311   $a1-78320-337-4 
327   $aCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note
327   $aChapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover
330   $aIn recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized.
606   $aArt$xExhibition techniques
606   $aArtists as art museum curators
606   $aCuratorship
615  0$aArt$xExhibition techniques.
615  0$aArtists as art museum curators.
615  0$aCuratorship.
676   $a707.5
702   $aJeffery$b Celina
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910822252603321
996   $aThe artist as curator$94008998
997   $aUNINA