LEADER 04214nam 22006972 450 001 9910822112403321 005 20111118130229.0 010 $a1-4411-6643-2 010 $a1-62892-785-2 010 $a1-280-57752-5 010 $a9786613607256 010 $a1-4411-5058-7 024 7 $a10.5040/9781628927856 035 $a(CKB)2670000000174556 035 $a(EBL)894540 035 $a(OCoLC)787843490 035 $a(SSID)ssj0000634246 035 $a(PQKBManifestationID)12257479 035 $a(PQKBTitleCode)TC0000634246 035 $a(PQKBWorkID)10640366 035 $a(PQKB)10859272 035 $a(MiAaPQ)EBC894540 035 $a(OCoLC)1194878184 035 $a(UtOrBLW)bpp09257698 035 $a(EXLCZ)992670000000174556 100 $a20111114d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDigital prohibition $epiracy and authorship in new media art /$fby Carolyn Guertin 210 1$aNew York :$cContinuum,$d2012. 215 $a1 online resource (305 p.) 300 $aDescription based upon print version of record. 311 $a1-4411-0610-3 311 $a1-4411-3190-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Ambivalence and Authorship -- The Third Space of Authorship: Participatory Practices and New Narrative Models -- The New Prohibition: Digital Piracy and the Politics of Creation -- The Aesthetics of Appropriation. Creativity is Dead -- Long Live The Reflexive Remix -- Interruption (Stoppage + Repetition) -- Disturbance (Action + Event) -- Tactical Media: Public Disturbance After the Decline and Fall of Activism -- Capture/Leakage (Performance + Documentation) -- Dynamic Data and Augmented Bodies -- Authorship. From Karaoke Culture to Vernacular Video -- "Aberrant Decoding" and Atactical Aesthetics -- Sampling -- Mashups -- Remakes/Adaptations/Intertexts -- Streamed data/content or visualization -- Archiving As An Aesthetic Form -- Hacks -- Google Empire: Smart Art and Intelligent Agents From Intelligent Tools to Smart Art -- Real Time/ UnReal Time -- Creative Cannibalism and Digital Anthropophagy. Digital Anthropophagy -- Translation: Performing The In Between -- "Productive Mistranslation" (China and Pakistan) -- Conclusion. 330 $a"The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained a stranglehold on our ability to transport, read, write, teach and publish digital materials. Contrasting Western models with issues of piracy as practiced in Asia, Digital Prohibition explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude (a? la Antonio Negri and Michael Hardt, and Paulo Virno) as a new collaborative model for creation in the digital age. Looking at how digital culture has transformed unitary authorship from its book-bound parameters into a collective and dispersed endeavor, Dr. Guertin examines process-based forms as diverse as blogs, Facebook, Twitter, performance art, immersive environments, smart mobs, hacktivism, tactical media, machinima, generative computer games (like Spore and The Sims) and augmented reality."--Bloomsbury Publishing. 606 $aArt and technology 606 $aCommunication and technology 606 $aDigital media$xLaw and legislation 606 $aNew media art 606 $aPiracy (Copyright) 606 $aPiracy (Copyright)$zUnited States 606 $2Media studies 615 0$aArt and technology. 615 0$aCommunication and technology. 615 0$aDigital media$xLaw and legislation. 615 0$aNew media art. 615 0$aPiracy (Copyright) 615 0$aPiracy (Copyright) 676 $a346.7304/82 700 $aGuertin$b Carolyn$01668647 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910822112403321 996 $aDigital prohibition$94029364 997 $aUNINA