LEADER 04243nam 2200697Ia 450 001 9910822083203321 005 20200520144314.0 010 $a1-139-36570-3 010 $a1-107-22633-3 010 $a1-280-64737-X 010 $a9786613633422 010 $a1-139-37824-4 010 $a1-139-37538-5 010 $a1-139-04733-7 010 $a1-139-37681-0 010 $a1-139-37139-8 010 $a1-139-37967-4 035 $a(CKB)2550000000103342 035 $a(EBL)880709 035 $a(OCoLC)794327718 035 $a(SSID)ssj0000658634 035 $a(PQKBManifestationID)11463974 035 $a(PQKBTitleCode)TC0000658634 035 $a(PQKBWorkID)10691451 035 $a(PQKB)11271741 035 $a(UkCbUP)CR9781139047333 035 $a(Au-PeEL)EBL880709 035 $a(CaPaEBR)ebr10565054 035 $a(CaONFJC)MIL363342 035 $a(MiAaPQ)EBC880709 035 $a(EXLCZ)992550000000103342 100 $a20111012d2012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aShakespeare in the eighteenth century /$fedited by Fiona Ritchie, Peter Sabor 205 $a1st ed. 210 $aCambridge ;$aNew York $cCambridge University Press$d2012 215 $a1 online resource (xiii, 454 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-47989-4 311 $a0-521-89860-9 320 $aIncludes bibliographical references and index. 327 $tIntroduction /$rFiona Ritchie and Peter Sabor --$gPart I.$tThe Dissemination and Reception of Shakespeare in Print:$g1.$tEditing and publishing Shakespeare /$rMarcus Walsh;$g2.$tCriticism of Shakespeare /$rJack Lynch;$g3.$tShakespeare in the reviews /$rAntonia Forster;$g4.$tShakespeare discoveries and forgeries /$rBrean Hammond --$gPart II.$tShakespeare in Literature:$g5.$tShakespeare in poetry /$rDavid Fairer;$g6.$tShakespeare in the novel /$rThomas Keymer;$g7.$tShakespeare in drama /$rTiffany Stern --$gPart III.$tShakespeare on the Stage:$g8.$tShakespeare and the London stage /$rRobert Shaughnessy;$g9.$tShakespeare adaptation /$rJenny Davidson;$g10.$tShakespeare and opera /$rMichael Burden --$gPart IV.$tMemorializing Shakespeare:$g11.$tShakespeare and the visual arts /$rShearer West;$g12.$tShakespeare and the Stratford Jubilee /$rKate Rumbold;$g13.$tShakespeare and English nationalism /$rKathryn Prince --$gPart V.$tShakespeare in the Wider World:$g14.$tShakespeare and the French Revolution /$rFrans De Bruyn;$g15.$tShakespeare and Germany /$rRoger Paulin;$g16.$tShakespeare and philosophy /$rPhilip Smallwood --$tReference guide to Shakespeare in the eighteenth century /$rFrans De Bruyn. 330 $aIn the eighteenth century, Shakespeare became indisputably the most popular English dramatist. Published editions, dramatic performances and all kinds of adaptations of his works proliferated and his influence on authors and genres was extensive. By the second half of the century Shakespeare's status had been fully established, and since that time he has remained central to English culture. Shakespeare in the Eighteenth Century explores the impact he had on various aspects of culture and society: not only in literature and the theatre, but also in visual arts, music and even national identity. The eighteenth century's Shakespeare, however, was not our Shakespeare. In recovering the particular ways in which his works were read and used during this crucial period in his reception, this book, with its many illustrations and annotated bibliography, is the clearest way into understanding this key phase in the reception of the playwright. 606 $aEnglish literature 607 $aEnglish-speaking countries$xIntellectual life$y18th century 615 0$aEnglish literature. 676 $a822.3/3 686 $aLIT004120$2bisacsh 701 $aRitchie$b Fiona$01754654 701 $aSabor$b Peter$0678599 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822083203321 996 $aShakespeare in the eighteenth century$94191116 997 $aUNINA