LEADER 03766nam 2200721 a 450 001 9910821986903321 005 20200520144314.0 010 $a1-107-11526-4 010 $a0-511-00953-4 010 $a1-280-16182-5 010 $a0-511-11698-5 010 $a0-511-15095-4 010 $a0-511-48356-2 010 $a0-511-31041-2 010 $a0-511-05080-1 035 $a(CKB)111087027184760 035 $a(EBL)144742 035 $a(OCoLC)559199256 035 $a(SSID)ssj0000238003 035 $a(PQKBManifestationID)11186971 035 $a(PQKBTitleCode)TC0000238003 035 $a(PQKBWorkID)10222252 035 $a(PQKB)11062738 035 $a(UkCbUP)CR9780511483561 035 $a(MiAaPQ)EBC144742 035 $a(Au-PeEL)EBL144742 035 $a(CaPaEBR)ebr10014971 035 $a(CaONFJC)MIL16182 035 $a(EXLCZ)99111087027184760 100 $a20000622d2000 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe rhetoric of the body from Ovid to Shakespeare /$fLynn Enterline 210 $aCambridge [England] ;$aNew York $cCambridge University Press$d2000 215 $a1 online resource (xii, 272 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Renaissance literature and culture ;$v35 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 1 $a0-521-03465-5 311 1 $a0-521-62450-9 320 $aIncludes bibliographical references (p. 227-264) and index. 327 $aAcknowledgements -- 1. Pursuing Daphne -- 2. Medusa's mouth: body and voice in the Metamorphoses -- 3. Embodied voices: autobiography and fetishism in the Rime sparse -- 4. "Be not obsceane though wanton": Marston's Metamorphosis of Pigmalions image -- 5. "Poor instruments" and unspeakable events in The rape of Lucrece -- 6. "Your speak a language that I understand not": the rhetoric of animation in The winter's tale -- Notes -- Index. 330 $aThis persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature. 410 0$aCambridge studies in Renaissance literature and culture ;$v35. 606 $aHuman body in literature 606 $aClassical literature$xHistory and criticism 606 $aEuropean literature$yRenaissance, 1450-1600$xHistory and criticism 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism 615 0$aHuman body in literature. 615 0$aClassical literature$xHistory and criticism. 615 0$aEuropean literature$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 676 $a809/.9335 700 $aEnterline$b Lynn$f1956-$0529204 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821986903321 996 $aThe rhetoric of the body from Ovid to Shakespeare$94005817 997 $aUNINA