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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHyper-narrative interactive cinema$b[electronic resource] $eproblems and solutions /$fNitzan Ben Shaul
210   $aAmsterdam ;$aNew York $cRodopi$d2008
215   $a1 online resource (96 p.)
225 1 $aConsciousness, literature & the arts ;$v18
300   $aDescription based upon print version of record.
311   $a90-420-2461-5 
320   $aIncludes bibliographical references (p. [87]-90) and indexes.
327   $aPreliminary Material -- Introduction -- Hyper-Narratives -- Interaction -- Audiovisuality and Interfacing -- Engaging Hyper-narrative Interactive Cinema -- Bibliography -- Index of Names and Titles -- Index of Topics.
330   $aHyper narrative interactive cinema refers to the possibility for users or ?interactors? to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. Contrary to post-modern textual and cognitive presumptions, film immersion and computer game theories, this study uses dual coding theory, cognitive load theory, and constructivist narrative film theory to claim that interactive hyper-narrative distraction results from cognitive and behavioral multi-tasking, which lead to split attention problems that cannot be cognitively handled. Focus is upon split attention resulting from the non-critical use of de-centered and non-cohering hyper-narrative and audio-visual formations, and from interaction. For hyper-narrative interactive cinema to sustain deep engagement, multi-tasking split attention problems inhering in such computer-based works have to be managed, and ? most importantly - made to enhance rather than reduce engagement. This book outlines some viable solutions to construct deep cognitive-emotional engagement of interactors with hyper-narrative interactive cinema.
410  0$aConsciousness, Literature and the Arts$v18.
606   $aMotion pictures$xPlots, themes, etc
606   $aInteractive art
606   $aExperimental films$xHistory and criticism
615  0$aMotion pictures$xPlots, themes, etc.
615  0$aInteractive art.
615  0$aExperimental films$xHistory and criticism.
676   $a791.433
700   $aBen-Shaul$b Nitzan S$01618941
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910821943203321
996   $aHyper-narrative interactive cinema$93950954
997   $aUNINA