LEADER 03247nam 2200601Ia 450 001 9910821862503321 005 20240313081515.0 010 $a0-8173-8642-4 035 $a(CKB)2670000000298444 035 $a(EBL)1073306 035 $a(OCoLC)818851734 035 $a(SSID)ssj0000784804 035 $a(PQKBManifestationID)11407241 035 $a(PQKBTitleCode)TC0000784804 035 $a(PQKBWorkID)10783418 035 $a(PQKB)10525416 035 $a(MiAaPQ)EBC1073306 035 $a(OCoLC)843777330 035 $a(MdBmJHUP)muse19097 035 $a(Au-PeEL)EBL1073306 035 $a(CaPaEBR)ebr10632667 035 $a(EXLCZ)992670000000298444 100 $a20120425d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe darkness of the present $epoetics, anachronism, and the anomaly /$fSteve McCaffery 205 $a1st ed. 210 $aTuscaloosa $cUniversity of Alabama Press$dc2012 215 $a1 online resource (298 p.) 225 0 $aModern and contemporary poetics 300 $aDescription based upon print version of record. 311 $a0-8173-5733-5 320 $aIncludes bibliographical references and index. 327 $aContents; List of Illustrations; Acknowledgments; Introduction: Linearity, Anomaly, and Anachronism: Toward an Archaeology of the New; 1. Cacophony, Abstraction, and Potentiality: The Fate of the Dada Sound Poem; 2. Corrosive Poetics: The Relief Composition of Ronald Johnson's Radi os; 3. Interpretation and the Limit Text: An Approach to Jackson Mac Low's Words nd Ends from Ez; 4. Transcoherence and Deletion: The Mesostic Writings of John Cage; 5. A Chapter of Accidents: Disfiguration and the Marbled Page in Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman 327 $a6. From Muse to Mousepad: Informatics and the Avant-Garde7. Parapoetics and the Architectural Leap; 8. "To Lose One's Way" (For Snails and Nomads): The Radical Labyrinths of Constant and Arakawa and Gins; 9. Difficult Harmony: The Picturesque Detail in Gilpin, Price, and Clark Coolidge's Space; 10. The 'Pataphysics of Auschwitz; 11. The Instrumental Nightingale: Some Counter-Musical Inflections in Poetry from Gray to Celan; Notes; Works Cited; Index 330 $aThe Darkness of the Present includes essays that collectively investigate the roles of anomaly and anachronism as they work to unsettle commonplace notions of the "contemporary" in the field of poetics. In the eleven essays of The Darkness of the Present, poet and critic Steve McCaffery argues that by approaching the past and the present as unified entities, the contemporary is made historical at the same time as the historical is made contemporary. McCaffery's writings work against the urge to classify works by placing 410 0$aModern & Contemporary Poetics 606 $aPoetics 606 $aPoetry 615 0$aPoetics. 615 0$aPoetry. 676 $a808.1 700 $aMcCaffery$b Steve$01679626 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821862503321 996 $aThe darkness of the present$94094956 997 $aUNINA