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100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusic, difference and the residue of race /$fby Jo Haynes
205   $a1st ed.
210  1$aNew York, N.Y. :$cRoutledge,$d2013.
215   $a1 online resource (186 p.)
225 0 $aRoutledge research in race and ethnicity ;$v5
300   $aDescription based upon print version of record.
311   $a1-138-80957-8 
311   $a0-415-87921-3 
320   $aIncludes bibliographical references and index.
327   $aCover; Music, Difference and the Residue of Race; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; 1 The Durability of Race; 2 Configuring Music and Race; 3 Difference and Differentiation; 4 Difference and Hybridisation; 5 Music Affinity; 6 Conclusion: The Residue of Race; Appendix; Notes; References; Index
330   $aRace and music seem fatally entwined in a way that involves both creative ethnic hybridity and ongoing problems of racism. This book presents a sociological analysis of this enduring relationship and asks: how are ideas of race critical to the understanding of music genres and preferences? What does the 'love of difference' via music contribute to contemporary perspectives of racism? Previous studies of world music have situated it within the dynamics of local/global musical production, the representation of nations and ethnic groups, theories of globalization, hybridization and cultural ap
410  0$aRoutledge Research in Race and Ethnicity
606   $aMusic and race
606   $aPopular music$xSocial aspects
606   $aWorld music$xSocial aspects
615  0$aMusic and race.
615  0$aPopular music$xSocial aspects.
615  0$aWorld music$xSocial aspects.
676   $a780.89
700   $aHaynes$b Jo.$01682719
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910821859203321
996   $aMusic, difference and the residue of race$94053029
997   $aUNINA