LEADER 03094nam 2200661 a 450 001 9910821821303321 005 20240313165133.0 010 $a3-11-031751-6 024 7 $a10.1515/9783110317510 035 $a(CKB)2550000001096785 035 $a(EBL)1139065 035 $a(OCoLC)851970613 035 $a(SSID)ssj0000981609 035 $a(PQKBManifestationID)11515089 035 $a(PQKBTitleCode)TC0000981609 035 $a(PQKBWorkID)10973512 035 $a(PQKB)11758041 035 $a(MiAaPQ)EBC1139065 035 $a(DE-B1597)210199 035 $a(OCoLC)979846694 035 $a(DE-B1597)9783110317510 035 $a(Au-PeEL)EBL1139065 035 $a(CaPaEBR)ebr10728874 035 $a(CaONFJC)MIL503319 035 $a(EXLCZ)992550000001096785 100 $a20130709d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNero in opera $elibrettos as transformations of ancient sources /$fGesine Manuwald 205 $a1st ed. 210 $aBerlin ;$aBoston $cDe Gruyter$d2013 215 $a1 online resource (420 p.) 225 0 $aTransformationen der Antike ;$v24 225 0$aTransformationen der Antike,$x1864-5208 ;$vBd. 24 300 $aDescription based upon print version of record. 311 $a3-11-031713-3 311 $a1-299-72068-4 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tPreface and acknowledgements -- $tContents -- $t1. Introduction -- $t2. Nero in opera -- $t3. Nero in pieces of other performative genres -- $t4. Conclusions -- $tAppendices -- $tBibliography 330 $aThis book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between ?historical? elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero?s image in present-day media. 410 0$aTransformationen der Antike 606 $aOperas$vLibrettos 610 $aNero. 610 $aOctavia. 610 $aopera. 615 0$aOperas 676 $a782.1 700 $aManuwald$b Gesine$0326443 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821821303321 996 $aNero in opera$94049847 997 $aUNINA