LEADER 02453nam 2200565 a 450 001 9910821748603321 005 20200520144314.0 010 $a0-8232-5982-X 010 $a0-8232-2774-X 035 $a(CKB)2520000000008063 035 $a(EBL)476623 035 $a(OCoLC)727645673 035 $a(SSID)ssj0000081610 035 $a(PQKBManifestationID)12032666 035 $a(PQKBTitleCode)TC0000081610 035 $a(PQKBWorkID)10112348 035 $a(PQKB)11297339 035 $a(MiAaPQ)EBC3239474 035 $a(MiAaPQ)EBC476623 035 $a(Au-PeEL)EBL476623 035 $a(MiAaPQ)EBC30251517 035 $a(Au-PeEL)EBL30251517 035 $a(EXLCZ)992520000000008063 100 $a20070306d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aListening /$fJean-Luc Nancy ; translated by Charlotte Mandell 205 $a1st ed. 210 $aNew York $cFordham University Press$dc2007 215 $a1 online resource (103 p.) 300 $a"The two final essays, "How music listens to itself" and "March in spirit in our ranks," have been added by the author for the English-language edition"--T.p. verso. 311 $a0-8232-2772-3 320 $aIncludes bibliographical references (p. 69-85). 327 $aCover Page; Title Page; Copyright Page; Dedication; Contents; Translator's Note; Listening; "March in Spirit in Our Ranks"; How Music Listens to Itself; Notes 330 $aIn this lyrical meditation on listening, Jean-Luc Nancy examines sound in relation to the human body. How is listening different from hearing? What does listening entail? How does what is heard differ from what is seen? Can philosophy even address listening, e?couter, as opposed to entendre, which means both hearing and understanding?Unlike the visual arts, sound produces effects that persist long after it has stopped. The body, Nancy says, is itself like an echo chamber, responding to music by inner vibrations as well as outer attentiveness. Since ?the ear has no eyelid? (Quignard), sound cann 606 $aListening (Philosophy) 615 0$aListening (Philosophy) 676 $a128/.4 700 $aNancy$b Jean-Luc$0157114 701 $aMandell$b Charlotte$01165882 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821748603321 996 $aListening$94203710 997 $aUNINA