LEADER 03621oam 2200577Ka 450 001 9910821714803321 005 20190503073414.0 010 $a0-262-31533-5 010 $a1-4619-3440-0 010 $a0-262-31532-7 035 $a(CKB)2670000000417308 035 $a(EBL)3339636 035 $a(SSID)ssj0000950553 035 $a(PQKBManifestationID)11520865 035 $a(PQKBTitleCode)TC0000950553 035 $a(PQKBWorkID)11005660 035 $a(PQKB)11462863 035 $a(MiAaPQ)EBC3339636 035 $a(OCoLC)852896298$z(OCoLC)856525718$z(OCoLC)961546473$z(OCoLC)962602326$z(OCoLC)966257228$z(OCoLC)988460843$z(OCoLC)991926630$z(OCoLC)1035426196$z(OCoLC)1037935998$z(OCoLC)1038700546$z(OCoLC)1045508698$z(OCoLC)1055340158$z(OCoLC)1065905008$z(OCoLC)1081226622 035 $a(OCoLC-P)852896298 035 $a(MaCbMITP)9469 035 $a(Au-PeEL)EBL3339636 035 $a(CaPaEBR)ebr10733299 035 $a(OCoLC)852896298 035 $a(EXLCZ)992670000000417308 100 $a20130716d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aParallel presents $ethe art of Pierre Huyghe /$fAmelia Barikin 210 $aCambridge, Massachusetts $cThe MIT Press$d[2012] 215 $a1 online resource (280 p.) 300 $aOutgrowth of the author's thesis (doctoral--University of Melbourne, Australia). 311 $a0-262-52838-X 311 $a0-262-01780-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction: in what time do we live? -- Early works -- The Association of Freed Times -- A movie navigated by stops -- Figures of speech -- Inside out utopia -- Topological systems: an economy of time. 330 $aThe first book-length art historical examination of a major contemporary French artist. Over the past two decades, French artist Pierre Huyghe has produced an extraordinary body of work in constant dialogue with temporality. Investigating the possibility of a hypothetical mode of timekeeping--"parallel presents"--Huyghe has researched the architecture of the incomplete, directed a puppet opera, founded a temporary school, established a pirate television station, staged celebrations, scripted scenarios, and journeyed to Antarctica in search of a mythological penguin. In this first book-length art historical examination of Huyghe and his work, Amelia Barikin traces the artist's continual negotiation with the time codes of contemporary society. Barikin finds in Huyghe's projects an alternate way of thinking about history--a "topological historicity" that deprograms (or reprograms) temporal formats. Barikin offers pioneering analyses of Huyghe's lesser-known early works as well as sustained readings of later, critically acclaimed projects, including No Ghost Just a Shell (2000), L'Expedition scintillante (2002), and A Journey That Wasn't (2005). She emphasizes Huyghe's concepts of "freed time" and "the open present," in which anything might happen. Bringing together an eclectic array of subjects and characters--from moon walking to situationist practices, from Snow White to Gilles Deleuze--Parallel Presents offers a highly original account of the driving forces behind Huyghe's work. 517 3 $aArt of Pierre Huyghe 610 $aARTS/General 610 $aARTS/Art History/Contemporary Art 676 $a700.92 700 $aBarikin$b Amelia$f1979-$01634978 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910821714803321 996 $aParallel presents$93975481 997 $aUNINA