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101 0 $aeng
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181   $2rdacontent
182   $2rdamedia
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200 10$aPortable moving images $ea media history of storage formats /$fRicardo Ceden?o Montan?a
210  1$aBoston, Massachusetts ;$aBerlin, [Germany] :$cDe Gruyter,$d2017.
210  4$d©2017
215   $a1 online resource (304 pages)
311   $a3-11-055288-4 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgements -- $tIntroduction -- $t1. reduction(o) = e(o) ? c(o) -- $t2. Film -- $t3. Analogue Video -- $t4. Video Encoding -- $tOutlook -- $tAppendices -- $tBibliography -- $tPicture Credits -- $tAbbreviations -- $tIndex
330   $aThis media history explores a series of portable small cameras, playback devices, and storage units that have made the production of film and video available to everyone. Covering several storage formats from 8mm films of the 1900s, through the analogue videotapes of the 1970s, to the compression algorithms of the 2000s, this work examines the effects that the shrinkage of complex machines, media formats, and processing operations has had on the dissemination of moving images. Using an archaeological approach to technical standards of media, the author provides a genealogy of portable storage formats for film, analog video, and digitally encoded video. This book is a step forward in decoding the storage media formats, which up to now have been the domain of highly specialised technicians.
606   $aMotion picture film$xHistory
606   $aImage files$xHistory
610   $amedia history.
610   $amoving image.
615  0$aMotion picture film$xHistory.
615  0$aImage files$xHistory.
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700   $aCeden?o Montan?a$b Ricardo$f1976-$01697949
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906   $aBOOK
912   $a9910821635203321
996   $aPortable moving images$94079038
997   $aUNINA