LEADER 02651 am 2200637 n 450 001 9910283539803321 005 20180524 010 $a979-1-02-401085-4 024 7 $a10.4000/books.purh.6675 035 $a(CKB)4100000005959205 035 $a(FrMaCLE)OB-purh-6675 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/56099 035 $a(PPN)24129178X 035 $a(EXLCZ)994100000005959205 100 $a20180828j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPetite histoire du Cirque-Théâtre d?Elbeuf $eL?esprit d?un lieu /$fMagali Sizorn, Betty Lefèvre 210 $aMont-Saint-Aignan $cPresses universitaires de Rouen et du Havre$d2018 215 $a1 online resource (142 p.) 311 $a2-87775-365-4 330 $aCe texte propose à tous un voyage dans un lieu exceptionnel : le Cirque-Théâtre d?Elbeuf. Cette promenade se fonde sur la présence vivante de cet espace dans l?imaginaire collectif de ceux qui l?ont fréquenté. En cela, il s?agit moins de montrer le Cirque-Théâtre dans sa vérité historique que dans les traces gardées en mémoire par ses habitants. Cirque, cinéma, lieu de meetings, salle de boxe ou espace d?expression d?une communauté, le Cirque- Théâtre stimule nos imaginaires et fonde encore et toujours le lien social. Cet ouvrage a également vocation pédagogique. Par le récit de la mise en ?uvre complète d?une enquête de terrain, l?étudiant en sciences humaines et sociales peut s?initier à une démarche de type qualitatif. Cette expérience ne se pose pas comme modèle, mais tente de dévoiler une méthode en acte 606 $aHistory 606 $aTheater 606 $athéâtre 606 $aanthropologie 606 $améthodologie 606 $acirque 606 $aenquête 606 $aElbeuf 610 $aanthropologie 610 $aenquête 610 $aElbeuf 610 $améthodologie 610 $acirque 610 $athéâtre 615 4$aHistory 615 4$aTheater 615 4$athéâtre 615 4$aanthropologie 615 4$améthodologie 615 4$acirque 615 4$aenquête 615 4$aElbeuf 700 $aSizorn$b Magali$01284177 701 $aLefèvre$b Betty$01284178 701 $aLefèvre$b Betty$01284178 701 $aLescuyer$b Jacques$01284179 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910283539803321 996 $aPetite histoire du Cirque-Théâtre d?Elbeuf$93019364 997 $aUNINA LEADER 03714nam 2200637 450 001 9910821618303321 005 20200520144314.0 010 $a90-474-4465-5 024 7 $a10.1163/9789047444657 035 $a(CKB)2550000001266061 035 $a(EBL)1673623 035 $a(SSID)ssj0001192968 035 $a(PQKBManifestationID)11673333 035 $a(PQKBTitleCode)TC0001192968 035 $a(PQKBWorkID)11128193 035 $a(PQKB)11364496 035 $a(MiAaPQ)EBC1673623 035 $a(nllekb)BRILL9789047444657 035 $a(Au-PeEL)EBL1673623 035 $a(CaPaEBR)ebr10858334 035 $a(CaONFJC)MIL589725 035 $a(OCoLC)877770590 035 $a(PPN)178885509 035 $a(EXLCZ)992550000001266061 100 $a20140430h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAjanta $ehistory and development : defining features /$fWalter Spink 210 1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cKoninklijke Brill,$d2014. 210 4$d©2014 215 $a1 online resource (482 p.) 225 1 $aHandbook of Oriental Studies. Section two, South Asia ;$vVolume 18/6 300 $aDescription based upon print version of record. 311 $a90-04-18015-X 311 $a1-306-58474-4 327 $tPreliminary Material /$rWalter M. Spink and Naomichi Yaguchi --$tChapter 1: The Usages of War /$rWalter M. Spink and Naomichi Yaguchi --$tChapter 2: Regarding Important Time Chart Changes /$rWalter M. Spink and Naomichi Yaguchi --$tChapter 3: Defining Features /$rWalter M. Spink and Naomichi Yaguchi --$tChapter 4: Illustrations and Labels /$rWalter M. Spink and Naomichi Yaguchi --$tSummary of Evidence Bearing upon the Disputed Dating of Harisena?s Reign /$rWalter M. Spink and Naomichi Yaguchi. 330 $aVolume 6, in Walter Spink's detailed analysis of the creation and development of the Ajanta caves, during the reign of the emperor Harisena (c.460-c.477) has had a profound and often upsetting impact on the understanding of Indian history in the so-called Golden Age. The author contends that through the discipline of Art History one can in fact change the established view of cultural developments in the crucial \'Classic Age\' (5th Century CE). One of his major aims is to prove that it was the Vakatakas, under the emperor Harisena, and not the Guptas, that brought Indian culture to its apogee in the late 470s and to show that by analyzing and organizing Ajanta's \'defining feature\' in revealing developmental sequences, one can support, with specifics, the revolutionary (but now increasingly accepted) \'short chronology\' for which the author is well known. These \'defining features\' range from the changing types of Buddha images and living arrangements for the monks, to the precise analysis of the evolution of pillars, doorways, and excavation techniques. 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