LEADER 03646nam 22007933u 450 001 9910821601003321 005 20240410023354.0 035 $a(CKB)2670000000616727 035 $a(EBL)2051598 035 $a(OCoLC)909028296 035 $a(SSID)ssj0001481402 035 $a(PQKBManifestationID)11857913 035 $a(PQKBTitleCode)TC0001481402 035 $a(PQKBWorkID)11501609 035 $a(PQKB)10344241 035 $a(MiAaPQ)EBC2051598 035 $a(EXLCZ)992670000000616727 100 $a20150525d2015|||| u|| | 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBamako Sounds$b[electronic resource] $eThe Afropolitan Ethics of Malian Music 205 $a1st ed. 210 $aMinneapolis $cUniversity of Minnesota Press$d2015 215 $a1 online resource (241 p.) 225 1 $aA Quadrant Book 300 $aDescription based upon print version of record. 311 $a1-4529-4440-7 311 $a0-8166-9350-1 327 $aCover; Contents; Introduction: A Sense of Urban Africa; 1. Representing Bamako; 2. Artistiya; 3. Ethics and Aesthetics; 4. A Pious Poetics of Place; 5. Money Trouble; 6. Afropolitan Patriotism; Conclusion: An Africanist's Query; Acknowledgments; Notes; Bibliography; Index; 330 $aBamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali's booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property.Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bam 410 2$aA Quadrant Book 606 $aBamako (Mali) -- Social conditions 606 $aEthnomusicology -- Mali -- Bamako 606 $aGroup identity in the performing arts -- Mali -- Bamako 606 $aMandingo (African people) -- Mali -- Bamako -- Ethnic identity 606 $aMusicians -- Mali -- Bamako -- Social conditions 606 $aMusic$xMoral and ethical aspects$zMali$zBamako 606 $aMusic$xMoral and ethical aspects$zMali 606 $aMusicians$xSocial conditions$zMali$zBamako 606 $aEthnomusicology$xEthnic identity$zBamako$zMali 606 $aGroup identity$zBamako$zMali 606 $aGroup identity in the performing arts$zMali$zBamako 606 $aMandingo (African people)$zMali$zBamako 606 $aCity and town life$zMali$zBamako 615 4$aBamako (Mali) -- Social conditions. 615 4$aEthnomusicology -- Mali -- Bamako. 615 4$aGroup identity in the performing arts -- Mali -- Bamako. 615 4$aMandingo (African people) -- Mali -- Bamako -- Ethnic identity. 615 4$aMusicians -- Mali -- Bamako -- Social conditions. 615 0$aMusic$xMoral and ethical aspects 615 0$aMusic$xMoral and ethical aspects 615 0$aMusicians$xSocial conditions 615 0$aEthnomusicology$xEthnic identity 615 0$aGroup identity 615 0$aGroup identity in the performing arts 615 0$aMandingo (African people) 615 0$aCity and town life 676 $a780.96623 700 $aSkinner$b Ryan Thomas$01613151 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910821601003321 996 $aBamako Sounds$93942308 997 $aUNINA