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200 00$aBeckett in the cultural field /$fedited by Ju?rgen Siess, Matthijs Engelberts, Angela Moorjani
210  1$aAmsterdam, New York :$cEditions Rodopi,$d2013.
210  4$dİ2013
215   $a1 online resource (271 p.)
225  0$aSamuel Beckett today/aujourd'hui ;$v25
300   $aDescription based upon print version of record.
311   $a90-420-3776-8 
327   $aCover; Title Page; Copyright Page; TABLE OF CONTENTS / TABLE DES MATIE?RES; INTRODUCTION; PART I: CONFRONTING THE ARTS, INVESTIGATING RECEPTION / CONFRONTER LES ARTS, E?TUDIER LA RECEPTION; 1. NOTHING DOING: Reflections on Samuel Beckett and American Conceptual Art; 2.THE FIGURE IN THE LANDSCAPE IN JACK YEATS AND IN SAMUEL BECKETT; 3.POROSITIES: Aesthetic Correlations between Gertrude Stein and Samuel Beckett; 4.THE 'FREEDOM' OF SARTRE AND BECKETT: The Flies versus Eleutheria; 5.ZONES OF INDETERMINATION: Beckett, Bergson, and the Monad of Murphy's Mind
327   $aPART II: ENTERING THE FIELD / ENTRER DANS LE CHAMP6.BECKETTS MOLLOY IN THE FRENCH CONTEXT; 7.BECKETT AND THE BBC THIRD PROGRAMME; 8.RECONFIGURATION DU CHAMP DES E?TUDES BECKETTIENNES: Le re?gne du 'Beckett irlandais'; FREE SPACE; 9.""SPLITTING THE ROCKS"": Derek Mahon's Beckett; 10. BECKETT'S FILM: A Polycentric Parodic Pictorial Parable for Perennial Paradoxes; 11.MAPPING THE FUTURE: Endgame, Premediation, and the War on Terror; 12.NO WAY OUT: The Effect of Surveillance in The Lost Ones; 13.BECKETT'S HAPPY DAYS AND DANTE'S INFERNO, CANTO 10
327   $a14.BETWEEN BEYONDS: Play's Urns and Their Exhabitants15.LE CHAOS: COMMENT C'EST; 16.VOIX ET ILLIMITE? DANS L'INNOMMABLE; 17. ""I OPEN"": Narration in Samuel Beckett's Cascando; 18.BECKETT'S BOOTS: The Crux of Meaning; CONTRIBUTORS / AUTEURS
330   $aThe thematic part of this volume of Samuel Beckett Today/Aujourd'hui is devoted mainly to Beckett's texts of the forties and later, and particularly to those he composed after his adoption of the French language. The essays presented in this part of the current issue attempt to see Beckett as a writer among other authors with whom he connects or competes, to examine his relations with artists, whether Beckett stimulates them or is stimulated by them, and to define his 'posture' and his position in the cultural field. How does the budding francophone writer position himself in the cultural fiel
517 1 $aBeckett dans le champ culturel
676   $a848.91409
701   $aSiess$b Ju?rgen$01131697
701   $aEngelberts$b Matthijs$0282764
701   $aMoorjani$b Angela$0911514
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