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100   $a20120329d2012      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMichelangelo /$fEugene Mu?ntz
205   $a1st ed.
210   $aNew York $cParkstone International$d[2012]
215   $a1 online resource (200 p.)
300   $aIncludes index.
311   $a1-906981-39-6 
327   $aContents; INTRODUCTION; THE SCULPTOR; Late Renaissance Sculpture; The Oeuvre; THE PAINTER AND THE DRAFTSMAN; Late Renaissance Painting And Drawing; The Oeuvre; THE ARCHITECT; Late Renaissance Architecture; The Oeuvre; CONCLUSION; BIOGRAPHY; INDEX
330   $aThe name Michelangelo instantly conjures up the Sistine Chapel, the David, the Pieta and countless other great works. In his History of  Italian Painting, the French writer Stendhal remarked that, "between Greek antiquity and Michelangelo nothing exists, except more or less skilled forgeries". The work of Michelangelo has, indisputably, stood the test of time. How was he able, in so few years, to develop the methods behind a body of work worthy of his Greek predecessors? Often referred to as a superhuman and a creative genius, Michelangelo was an incomparable artist of the Italian Renaissance
606   $aArt, Renaissance$zItaly
615  0$aArt, Renaissance
676   $a709.2
700   $aMu?ntz$b Eugene$0343654
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906   $aBOOK
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996   $aMichelangelo$93931762
997   $aUNINA