LEADER 04001nam 2200709Ia 450 001 9910821389303321 005 20200520144314.0 010 $a0-8156-5192-9 024 8 $a40021651343 024 7 $a2027/heb34604 035 $a(CKB)3170000000060446 035 $a(EBL)3410116 035 $a(SSID)ssj0000826789 035 $a(PQKBManifestationID)11450284 035 $a(PQKBTitleCode)TC0000826789 035 $a(PQKBWorkID)10809325 035 $a(PQKB)10400214 035 $a(MiAaPQ)EBC3410116 035 $a(OCoLC)824502806$z(OCoLC)847549929$z(OCoLC)956997657$z(OCoLC)959608922$z(OCoLC)960976356$z(OCoLC)961672515$z(OCoLC)962412198$z(OCoLC)962587961$z(OCoLC)965143670$z(OCoLC)967071744$z(OCoLC)968412311$z(OCoLC)971247063$z(OCoLC)973772905$z(OCoLC)981995579$z(OCoLC)988086315$z(OCoLC)990544457$z(OCoLC)993686804$z(OCoLC)999651631$z(OCoLC)1002027849$z(OCoLC)1003976819$z(OCoLC)1020003301$z(OCoLC)1022729010$z(OCoLC)1027191734$z(OCoLC)1029446235$z(OCoLC)1031318628$z(OCoLC)1034630587$z(OCoLC)1037746566 035 $a(MdBmJHUP)muse18594 035 $a(OCoLC)845032743 035 $a(Au-PeEL)EBL3410116 035 $a(CaPaEBR)ebr10645492 035 $a(CaONFJC)MIL946850 035 $a(OCoLC)847549929 035 $a(dli)HEB34604.0001.001 035 $a(MiU)MIU346040001001 035 $a(EXLCZ)993170000000060446 100 $a20120823d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPicturing disability $ebeggar, freak, citizen, and other photographic rhetoric /$fRobert Bogdan, with Martin Elks and James A. Knoll 205 $a1st ed. 210 $aSyracuse, N.Y. $cSyracuse University Press$d2012 215 $a1 online resource (222 p.) 225 0$aCritical perspectives on disability 300 $aDescription based upon print version of record. 311 $a0-8156-3302-5 320 $aIncludes bibliographical references (p. 181-185) and index. 327 $a""Contents""; ""Illustrations""; ""Acknowledgments""; ""Abbreviations""; ""Introduction""; ""Freak Portraits""; ""Begging Cards""; ""Charity""; ""Asylums""; ""Clinical Photographs""; ""Advertising Photographs""; ""Movie Stills""; ""Art for Arta???s Sake""; ""Citizen Portraits""; ""Conclusion""; ""References""; ""Index"" 330 $a"In Picturing Disability Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. Rather than focus on the subjects, Bogdan turns his gaze on the people behind the camera. He examines the historic and cultural environment of the photographs to decipher the relationship between the images and the perspectives of the picture makers. In analyzing the visual rhetoric of these photographs, Bogdan identifies the wide variety of genres, from sideshow souvenirs to clinical photographs. Ranging from the 1860s, when photographs first became readily available, to the 1970s, when the disability rights movement became a force for significant change, Bogdan chronicles the evolution of disability image creation. Picturing Disability takes the reader beyond judging images as positive or slanderous to reveal how particular contexts generate specific emotions and lasting depictions."--Jacket. 410 0$aCritical Perspectives on Disability 606 $aPeople with disabilities$vPortraits 606 $aPeople with disabilities$xHistory 606 $aSociology of disability 615 0$aPeople with disabilities 615 0$aPeople with disabilities$xHistory. 615 0$aSociology of disability. 676 $a305.9/08 700 $aBogdan$b Robert$0124273 701 $aElks$b Martin$01669537 701 $aKnoll$b James A$01669538 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821389303321 996 $aPicturing disability$94030765 997 $aUNINA